What even is this? Watching it was a surreal, sometimes dull, sometimes very engrossing experience. Reflecting back on it, it feels something like a fever dream in all honesty. Comparing a movie to a fever dream would usually be a negative, but with this, it's not totally the case, as this is too bizarre and out there (and every now and then actually quite interesting) to call bad. Although when it comes to recommending it... that's an entirely different, far more difficult question.

I could spend hundreds, even thousands of words here trying to define what genre this movie falls into. I can't even call it a documentary exactly, and as 'movie' is the most general word I can think of, we'll go with that. Okay, sometimes it's a concert film. Sometimes it tries to document Led Zeppelin's trials and tribulations while on tour, with detours regarding angry band managers, stolen money, and rowdy fans. Sometimes it shows strange fantasy sequences with the band members, and honestly I got Monty Python & The Holy Grail vibes from some of these. They're occasionally interesting, sometimes dull, but usually... interesting.

It's a weak, vague word when it comes to film criticism: "interesting." But when the thing being critiqued is as strange as The Song Remains The Same, what choice do I have? Well, I could ramble on and on, and go around in circles trying to even break down what this is, and whether it's good or bad or groundbreaking or self-indulgent and stupid, or whether it's all of those, and if so, in what quantities and at what points does it reflect each.

If you're a Led Zeppelin fan you might love this. Or you might hate it. You might not even listen to much classic rock but still get a kick out of the 70s aesthetic and its dirty excesses, and absolutely bizarre detours and fantasy segments. I could see certain people indulging in certain substances and maybe getting a kick out of it in that regard- maybe that's what's led to its cult following? The members of the band certainly looked like they were under the influence of one or more things at certain points, so who knows? Maybe that's the only way viewers can get on their level.

Ultimately, my star rating is mostly arbitrary. I can't give it a bad rating, because I did gladly watch all of it and some parts I liked. But I can't give it a great one, because it's just too messy and scattershot, but then again... that's part of its appeal... I think (?)

What a strange experience though. Only in the 70s could one of the most popular, direct, and accessible rock bands in existence make something this brazenly bizarre.

I mean that when I say it, but nevertheless, it was actually this movie that lit the Led Zeppelin spark within me and, thanks to my roommate and music sharing, I downloaded the whole anthology and the rest is history.

Back to my original comment. I am obsessed with this movie for the same reason I am obsessed with the music of Zeppelin in general, because after giving it time to grow on me and develop a taste for it, the movie became addicting to watch. I have now watched it so many times that I have learned to appreciate the purpose of the fantasy clips, the placement of the songs on the DVD, and why they all tie together the way they do.

I do agree with those who believe that skipping the shootout in the beginning is the right thing to do. The country life sequence, however, provides tremendous insight into each of the band members and completes the picture of the ordinary human side as well as the psychedelic band member side. Robert Plant shares a peaceful moment with his wife and skinny-dipping children. John Bonham plows his fields. John Paul Jones reads Jack and the Beanstalk to his children. And finally Jimmy Page sits quietly by a lake and plays a hurdy-gurdy.

Coming into the concert, one already has the vision of the four men as normal people in the back of their minds, not just eccentric, wild rockers, so the viewer is not alienated from the band as they launch into their classic tunes with barely time to catch a breath in between. Augmented by the music, the viewer dives deeper into the minds of the band members with an emotionally profound vigor.

The roller coaster ride extends from the "in-your-face" blues of Since I've Been Loving You to the dark edginess of No Quarter, from the whimsical strangeness of The Song Remains The Same to the beautiful stateliness of the Rain Song. Played in a different key, the Rain Song has the same amount of power and energy as its counterpart on the Houses of the Holy LP, but this live version delivers with a more triumphant, confident, and splendid statement than the reflective, oft melancholy LP take. As the song builds towards its rapturous (and victorious for Robert Plant) climax, the tone of the concert and DVD reaches it height. Then, in a stark contrast, the viewer then must sadly leave the sojourn in paradise and descend into the uneasy, convoluted maze of Dazed and Confused. Just when the viewer seems convinced that his descent has led him to hell as the song reaches the 26 minute mark, his reward for his own Zeppelin "endurance" is despite paradise being lost, finding heaven quite literally and being treated to the timeless Stairway to Heaven.

The fantasy scenes take the longest to grow on the viewer, but, with time, augment the music and vice versa. It is then that the film begins to resemble "Fantasia," only with Led Zeppelin music. This is particularly true of the bow solo in the middle of Dazed and Confused, because it eerily echos the equally long, convoluted, and edgy strains of Stravinsky's Rite of Spring, but punctuated visually with the youthening of Jimmy Page as opposed to the aging of the early planet Earth.

That is the kind of appreciation I have for this movie, and although Led Zeppelin is by no means perfect in this movie, the viewer can come to respect that because they have that picture of them as ordinary men already in their mind. I believe this movie is overall genius and the most accurate canvas painting of all aspects of the four musical geniuses known as Led Zeppelin we possess.

Back in the 1970s, when teenagers went to the Midnight Movies on Friday and Saturday nights and nobody disappeared or got murdered, The Song Remains The Same was usually one of the choices every weekend, and I saw it many many times.

This is basically an awesome concert film, in the days before anyone could download concerts on the internet, long before YouTube, when a concert film had to be seen in a movie theater.

The Song Remains The Same was great for what it was. A lot of great Led Zeppelin songs performed in a concert setting, with some fantasy bits inserted into the longer songs. It was good enough, sometimes it was great, and it represents an era of teenage youth that is long gone and can never return.