Hi, this is your horror correspondent Coventry bringing you an exclusive interview with Jack Arnold! He's the guy who directed some of the most memorable horror landmarks of the 1950's, like "Tarantula", "Creature from the Black Lagoon" and "The Incredible Shrinking Man", but he also directed … THIS movie! "The Space Children" is a completely obscure Sci-Fi movie that only has a rating 2.2 out of 10 on this famous movie website. And it's not like he made this movie at the very beginning of his career or at the end. No, Jack Arnold made this film right after all the aforementioned winners; in the year 1958. More than enough reasons to have a little chat with the director, if you ask me…

(Coventry): "What exactly went wrong with "The Space Children", Mr. Arnold? (J. Arnold): Hmm (panting) … Well yes, hmm, I clearly hadn't got any budget to work with here. That is noticeable straight from the opening credits already, and from there onwards it just got worse! I had to work with obvious cardboard set pieces and lousy special effects. (Coventry): Yes, indeed… But there are also a lot of problems with the script. A great director like yourself should know a good script when he sees one or at least have the talent to turn a mediocre plot in a worthwhile movie? (J. Arnold) Ha… well … (mumbling) I personally saw some good potential in the story of an extraterrestrial stone crashing on earth and "hypnotizing" the children. And I still think that I'm right, by the way. If my movie would have been slightly better, it would have been a bigger classic than "Village of the Damned", which has a similar theme and got released two years later. (Coventry): Maybe, but … (J. Arnold) Oh, and another thing, "The Space Children" does undeniably contain a handful of highly effective sequences! For example when the leader of the kids, you know the 12-year-old James Dean wannabe, hypnotizes two truck drivers into parking their vehicles on the beach! Or when he takes away the scientists' ability to speech! Or when all children stand in front of the glowing stone and the camera zooms in on all their faces separately! I think I'm entitled to say there's some quality and ominous atmosphere in all of those sequences. (Coventry): I agree, Mr Arnold, but those are merely isolated moments that point out your personal craftsmanship. You can't really deny that "The Space Children" is an overall tame and unexciting Sci-Fi story. (J. Arnold): It's true that are long periods of boredom in the film, I admit, and that some of the overly talkative scenes could easily have been cut on the editing table, but there just weren't any opportunities to put spectacle or suspense in a movie that constantly features children! If I would have shown footage in which children are harmed, I can forget about a career in the film industry. It had to remain child-friendly at all costs. (Coventry): I thought it was childish rather than child- friendly, but that's one man's opinion, of course. One more question, if you'll allow me, would you really recommend "The Space Children" to your fans? (J. Arnold): Well, in all honesty and I know I'm speaking against my own financial interest here, there are many 50's movies that you should see before "The Space Children". It's nowhere near a classic, or even a good and memorable movie for that matter. But still, if you've seen everything else already and if you're in the mood for some charming and typically cute Sci-Fi, you won't regret choosing this movie. (Coventry): Thank you so much, Mr. Arnold.

This was director Arnold’s penultimate of seven horror/sci-fi outings from the same decade and, in retrospect, the least of them. Its focus on children (the title itself is ambiguous – since the kids don’t come from space but rather are ‘possessed’ by aliens into sabotaging a rocket-launching station!) draws parallels to later genre classics such as VILLAGE OF THE DAMNED (1960) and the unrelated THESE ARE THE DAMNED (1963): like the former, the children here are able to influence the actions of their elders and, as in the latter, much of it takes place against a backdrop of remote cavernous surroundings. As for the alien itself, it’s nothing more substantial (or imaginative) than a growing, glowing glob!

Being just 68 minutes long, this undeniably earnest film can’t hope to fulfill its aspiration of being a profound anti-nuclear parable; for one thing, the characters are mere stereotypes – an average American couple with their modest dreams and dilemmas, a bubbly yet cagey neighbor (played by Jackie Coogan, of Chaplin’s THE KID [1921] and TV’s THE ADDAMS FAMILY fame!), another’s a drunken boor who mistreats one of the boys and his mother, plus the requisite number of dedicated but callous scientists and military personnel. Actually, I was wondering all through the picture why the alien didn’t simply possess one of the parents or scientists – surely his attempts at persuading colleagues to halt the missile project would have had greater chance of success, since the children’s clandestine activities merely irritate the hell out of the people at the base engaged in such a secretive operation! That said, unexplained events that occur – such as the driver of a fuel truck losing control of his vehicle or nominal hero Adam Williams losing his voice and the faculty to write when trying to divulge the presence of the alien to his superiors! – come across as creepier when caused by innocent-looking children and, besides, their presence near the test site is more likely to be overlooked than rouse suspicion of any foul play.

In the end, the film is tolerable (the print, then, seemed to be culled from a TV screening – since the picture fades in and out every once in a while, sometimes even in mid-sequence, where the publicity spots may have been inserted – with a good deal of hiss on the soundtrack!) but rather uninspired and, what’s more, is defeated by the low-budget. Though genre expert Arnold had proved time and again what he was capable of doing, it suffers especially in comparison with the two DAMNED films mentioned above or even a third such title, CHILDREN OF THE DAMNED (1964)…which I actually need to re-evaluate myself, but recall being an underrated achievement on my sole viewing of it so far.

If you instantly think of the 1961 cult classic "Village of the Damned" and its 1964 follow-up, "Children of the Damned", then you are not alone. This is definitely a C-grade variety of that plot with a bit of "Invasion of the Body Snatchers" thrown in. A whoosh through the sky gets the attention of a child whose parents are arriving at a nuclear plant where a missile is ready for testing. The parents do not see this strand of something moving through the air, so when the boy disappears to go exploring in beach-front caves, he encounters a strange group of children and a little tiny blob of something that somehow gives them directions to sabotage the launching of this missile. A sign from God? Visitors from outer space? Hopefully not that creepy flem-like blob from a recent Steve McQueen movie that swallows its victims whole and has that ghoulish song about that thing that creeps and glides across the floor.

It all unravels in 69 minutes, thankfully enough time to eat a bag of popcorn and laugh at the silly adults who are at first unaware of how the children are acting different all the time. A father chases his son over rocks, repeating over and over how he's going to break his neck when he finds them then literally becomes a frozen pop-circle when he sees the blob. Scientists wonder how the children break into the locked military base, then simply tell them to "scat!" without further investigation. And when the blob, which has gotten bigger, starts batting a single eye, don't be drinking your soda, 'cause you'll douse your TV screen with another sticky substance as you accidentally spit it out in laughter.

I know the writers of this movie probably meant well in the nuclear era of the late 50's, but the unintentional humor takes this film all over the place. Throw in such TV sitcom actors as Russell Johnson, Jackie Coogan and a toupee-less Raymond Bailey, and you'll find yourself snickering. When Bailey (Mr. Drysdale of "The Beverly Hillbillies") confronts the eye-batting blob and pleads to be let in on the secret, this film hits its nadir. No fan of "The Addams Family" will take Coogan (Uncle Fester) seriously as he disciplines a child. A biblical quote at the end tries to explain it all but just adds to the ridiculousness of it all.