Again, lots of "100" ratings by critics, which I believe to be societally pandering. It was a somewhat powerful statement flick, but I thought it needed to go farther and deeper to earn all the lofty praise from so-called "experts."

The juxtaposition of a "normal life" outside the walls of Auschwitz is the obvious hook here, and it's handled deftly by director Jonathan Glazer... but that was handled neatly enough in a handful of family scenes. The horror of "the other side of the wall" should have been more (and better) explored. It's not shown at all. Adding the kids and what they saw or knew, or the thoughts of local Poles would have added needed depth. I can only surmise that an extremely low budget led them to completely disregard shots of people being herded from trains, etc. Much of the film is "nothing" background stuff, which detracts from the whole... and while I applaud the sounds of screams and distant (and ignored) gunshots, the film didn't delve far enough into the horrors to truly present a view of life outside the walls. For the most part I was anxiously waiting and ultimately disappointed, not just by what was IN the movie, but what was left out. A 6.5 rounded up for trying to take an inventive look at horror being dismissed. "Conspiracy" was a better movie about the German nonchalance of the Holocaust.

The medium of 'Cinema' is widely recognized as a means of visual storytelling, where a series of moving images move the narrative forward, with background sound playing a secondary role. However, there are instances where the audio takes control of the sequences and defies conventionality.

Jonathan Glazer's "The Zone of Interest" serves as a prime example of this phenomenon. The director skilfully employs a variety of sounds, such as the constant arrivals of trains, gunshots, and the burning of chimneys, creating an atmosphere that is undeniably terrifying.

Whilst there are a few noteworthy cinematographic elements, including effective use of juxtaposition, it is the background score and sound design that bear the brunt of the storytelling.

For those interested in watching this film in the comfort of their homes, I would personally recommend finding the quietest possible environment, utilizing proper sound systems or headphones (preferably noise-canceling ones), and try to watch the entire thing in one sitting, without interruptions.

Trust me, this approach will significantly enhance your perception of the film.

However, it is important to note that the film heavily relies on visual as well as auditory 'insinuations,' such as suggestive sounds and framings, to convey its message. As a result, individuals who are might be unfamiliar with historical events, particularly those lacking knowledge of "The Holocaust," may struggle to grasp these subtleties.

In essence, it is not a readily accessible feature for all viewers out there. Bear that in mind.