Marlon Riggs' documentary "Tongues Untied" left a brief, but definitive impact on me. This documentary about gay African-American men reveals several poets, preachers, activists, and scholars. There is no narration in "Tongues Untied". Instead, all the dialogue is spoken in philosophical rhymes and poems. The documentary showcases, and even full-on exposes its praise for the black homosexual lifestyle, in an artistic and flamboyant fashion.

As a filmmaker myself, I was drawn into how Riggs was able to explain the persecution of homosexuals without having a sit-down interview, and instead uses stand-up performances, poetry, and symbolism to prove his point. From the confines of a gay black man's isolation and loneliness, to the exciting experiences of the San Francisco "Castro" district, Riggs took the audience to some fascinating, and often times deplorable world that gay black men face every day of their lives.

I was a little annoyed by the pacing of the film. There were some parts that had me yawning. But "Tongues Untied" sends a powerful message of tolerance, culture, and tradition from a filmmaker who is sadly no longer with us. This documentary captured my attention, and I enjoyed it thoroughly.

If you like Paris is Burning, you'll enjoy this movie.

If you don't like poetry, (as I certainly don't), please go into this loving Paris is Burning, and respect the efforts of historical, underground, artistic gay documentation.

I skipped the first 5-10 minutes because the chanting/rhythmic hymns got disorienting and annoying. There's another musical segment near the 0.75 mark of the movie that was skipped over.

Regardless, this film was VERY special to watch at first viewing. Humorous, descriptive, thoughtful wordplay and poetry, really, really exceptional, beautiful prose.

Willi Ninja dances in this movie too!!

I must admit, this Valentine's Day I have certainly picked unconventional romance movies to watch...

"Tongues Untied" plays out like a visual poem, featuring monologues and images dealing with black homosexuality, all edited to create a truly powerful portrait to a little discussed subject matter.

The main thing this film has going for it is its style. As I previously stated, its like a visual poem. Its a rhythmic and emotional odyssey through the lives of these people who, especially in 1989, have been represented very little in the media. At times, it gets a little to SJW and over the top, but their rage is somewhat valid. In the late 80s, being black and gay was much harder than it is in the mid 2010s.