"Treasure Island" is one of those stories where reading the original novel beforehand is crucial to really savoring any film version, and this is especially true of this divergent adaptation. Although it retains the basic skeleton of the original plot, much has been added, and many key characters have undergone fundamental changes. I was initially hostile to said changes but soon came to appreciate and enjoy the new sub-conflicts, many of which address universal themes (e.g., greed,loyalty) which are more relevant than ever today. I didn't particularly like the way "TI" (2012) hurries through pivotal scenes from the book, yet, with all that's been added, suppose that was necessary in order to limit its already 3-hour length.

This version is also full of small anachronisms in clothing and hair design, as well as some bigger ones in the ethnically diverse ship's crew ("all Englishmen!" in the novel), some of whom sport Mr. T-style Mohawks (!?) While it seems the makers wanted to address the additional modern theme of diversity here, the un-pc truth of the matter is that your average European person of the 1700s would not have taken kindly to such a mix, and the way the crew, including its rich officers and financiers, blithely accept differences in nationality and complexions is, well, unconvincing. At the same time, there are also some added details (e.g., prostitutes, thieves, and hanged men along the filthy Bristol quayside) which, although avoided by Robert Louis Stevenson in a novel intended largely for a younger audience, add a great deal of realism in this version.

In the end, "TI" (2012) is well-filmed and well-acted despite its various weak spots. While this revision is obviously to be avoided by those rigidly attached to the original story (or just wanting to see a film version of RLS's actual book), it should appeal to audiences in search of a less dualistic, more complicated tale, created in an age that tends to appreciate anti-heroes like Long John Silver.

This is a pretty good film as it goes but the main character of Long John Silver was the worst casting error in Eddie Izzard that l have ever seen, there was no 'Ey Jim Lad' Izzard just spoke in a cultured English accent, l have noticed that a lot of remarks on this film say they had never seen any version of Treasure Island before this, let me recommend the Disney version made in the 50's in colour with the wonderful Robert Newton, now here is an actor who 'was' Long John Silver, eyes rolling, the right type of accents, and as sly as they come.

The other actors in this 2012 version did a fair job, Daniel Mays was good as Dr Livsey, as was Phil Glenister and Penry-Jones, so in all this film was good but Eddie Izzard as Silver oh no.

7/10

First, I have to say good on Eddie Izzard for not trying to copy John Newton's Silver. On the other hand, it would have been staggeringly foolish to try that *again* in this day and age. No, Izzard delivers a new interpretation of Silver and does rather a good job of it.

In many trivial ways, this production is more faithful to Stevenson's classic than the as of yet undefeated champion of dramatic productions: the Disney 1950 film. (More running time, I guess) In some important ways it's even more faithful, and even adds a few interesting ingredients. We get to meet Capt. Flint (both of them). We also get the meet the "woman of colour" that Stevenson had married to Silver--something Disney didn't acknowledge. Oh, and speaking of the race card, it was played with the likes of Billy Bones and Mr. Arrow (black as a bucc'neer's colours in bilge water, they is!) I guess it does add an important bit of realism, now present in a lot of recent 18c nautically-themed productions.

But in some serious ways it diverges from the the book. I can't say whether or not it was a mistake to make Trelawney a partial crook and "Bible-reading hypocrite". (It was definitely a mistake to have a gentleman using "who" in the objective) It certainly was important to the ending. Oh yeah, that ENDING!!

The ending loses it 2 stars easily (though as a TI purist, it was a challenge not taking off 4). It's perfectly understandable that they not use the book's ending, Disney didn't even do that, but this unique ending takes the whole story off course and changes the genre from pure adventure to something of a morality tale. In making a miniseries, there was the opportunity to rehabilitate the Treasure Island myth, as was done in 2000 with Frank Herbert's Dune. Unfortunately, what we have is probably the least Stevensian Treasure Island production to date. Sorry.