Urusei Yatsura 3: Remember My Love

1985 [JAPANESE]

Action / Animation / Comedy / Romance / Sci-Fi

12
IMDb Rating 6.6/10 10 441 441

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Plot summary

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

Director

Top cast

Sumi Shimamoto as Lahla
Mami Koyama as Ryooko
Ichirô Nagai as Cherry
Mitsuo Iwata as Ruu the Magician
720p.BLU 1080p.BLU
861.16 MB
1280*682
Japanese 2.0
NR
us  
23.976 fps
1 hr 33 min
Seeds 2
1.56 GB
1920*1024
Japanese 2.0
NR
us  
23.976 fps
1 hr 33 min
Seeds 4

Movie Reviews

Reviewed by BrianDanaCamp

3rd Urusei Yatsura movie has its charms…and flaws

Urusei Yatsura Movie 3: "Remember My Love" (1985) is the third movie spun off from the popular animated series, "Urusei Yatsura" (Those Obnoxious Aliens), which premiered in Japan in 1981 and was based on a manga by Rumiko Takahashi (Ranma ½). The first two UY movies were directed by Mamoru Oshii and were classics in their own right. Directed by Kazuo Yamazaki, "Remember My Love" aims for the dreamlike, otherworldly feel of UY Movie 2: "Beautiful Dreamer," and achieves it for roughly the first hour, but then narrative problems undermine the carefully created atmosphere. Important characters are ignored for too long and the story loses steam before the end. Still, there is much for anime fans to savor in it.The plot is rather complicated to explain. It all has to do with a glass orb containing a curse meant for Lum, the tiger-skin-bikini'd alien "wife" of high school boy Ataru, that was sent in the mail sometime in the past and received far in the future by a lonely soul who then embarks on some time traveling into Lum's past and becomes obsessed with her. To make a long, convoluted story short, the jealous time traveler turns Ataru into a pink hippo and lures Lum into another dimension, trapping her there. Lum's alien friends go on the hunt and comb the galaxy for clues but give up when the trail gets cold.There are some poignant dramatic moments on Earth as we see Lum's high school friends abandon their normal lunatic antics and find themselves sitting around listlessly after Lum has vanished. Their affection for her is sweet and their feelings of emptiness after she's gone lend an air of melancholy to the proceedings. Unfortunately, Ataru's situation is resolved—off-screen--without warning or explanation, making the rest of the story almost anti-climactic. The time traveler himself is not a terribly interesting antagonist and a new character, Miss Lahla, is contrived near the end to help set things right. The whole thing would have been much more compelling if more of the main cast had been involved in the final stages of the action. There's a sappy love montage that tries our patience as it shows Lum and Ataru through the ages—as butterflies, dinosaurs and seabirds going through an awkward mating process—accompanied by the insipid English-language title song, recorded by someone identified as Steffanie Borges. Ten minutes later, the same song is played over the closing credits as well. (The opening song, "Born to Be Free" is also in English and also sung by Miss Borges.) There are still plenty of reasons for fans of anime in general and UY in particular to seek this out. The opening scenes offer a host of imaginative fantasy imagery as a mysterious theme park, Tomobiki Fairyland, opens in town and attracts the entire cast. Weird creatures abound, prompting Ataru's apprehensive classmate Chibi to reassure himself, "They're just robots…aren't they?!" The time traveler, Ruu, appears first as a creepy clown and then as a masked magician (looking forward to Sailor Moon's Tuxedo Mask), before we see his true form midway through the film. The major characters all get play during the early stages of the story. Sakura, the school nurse/resident shaman, has some good scenes, including one where she and Uncle Cherry make repeated attempts to enter Fairyland, but are blocked in a clever way by a barrier keeping out the supernaturally sensitive. We get to see Lum's attractive alien friends, Ran, Benten, and Oyuki, participate in the action, all with their own spaceships. More importantly, we get some very cute flashbacks of Lum as an infant and a little girl.I had a good time watching it but was disappointed by the way it dragged in parts and the weak resolution. It's not nearly as good as "Only You" (1983) or "Beautiful Dreamer" (1984), the first two UY movies, but those were directed by Oshii, one of anime's acknowledged geniuses (best known for the Patlabor and Ghost In The Shell movies), while this movie's director, Kazuo Yamazaki (Slayers: The Motion Picture, A Wind Named Amnesia), is more of a competent, though talented, workhorse.
Reviewed by renegadeviking-271-528568 7 / 10

Urusei Yatsura 3 Remember My Love review

Well, we have another somewhat surreal movie, but not as surreal as the previous one.

Initially, I was kind of bored with this movie. The OP theme has to play an entire song, which made me feel like a teenager again since the song sounds so 80's. Also, the scenes where Ruu, as the Pierrot, caused the others to experience weirdness dragged quite a bit. The movie dragged again when Lum started thinking about her life with Ataru prior to his transformation to a pink hippo. That was followed by a chase that I felt went on too long. And, I wanted to spin on with the scenes where Lum and Ataru are different creatures, mainly because the music drove me spare (so much so that I muted it).

Pacing issues aside, the story itself is pretty much a by the numbers thing. Lum deeply loves Ataru; Ataru loves Lum, but also loves other girls; Ataru doesn't want to admit his love; Ataru is forced to admit his feelings when he's a hippo, and again when he loses Lum; Ataru has to find Lum and bring her back. So plot wise, there were no real surprises other than the parody witch lady having canceled her curse, and I would have caught that had I been paying closer attention.

The part of the movie that was of most interest to me was the aftermath of Lum's abduction. Having Shinobu narrate this transition phase worked quite well. Further, the fact that she lost her great strength since Lum left was quite compelling to me. That was added to by having Shuutaro and Ryoko both lose their abilities to commune with octopi and a tree respectively. The fact that the core group around Lum and Ataru came together in an unplanned moment and burned the mementos of Lum was symbolic of their new beginning without Lum. I wouldn't have been able to do in that situation.

I could understand Benten, Oyuki, and Ran leaving earth for good (along with Ten-chan) since Lum wasn't there, but it seemed odd to me that they wouldn't continue trying to find her. Come to think of it, why'd everyone give up on Lum? Yeah, I'm guessing it was all part of the curse though that was never explicitly stated that I recall.

While establishing that Ruu is the descendant of Lum, I note that they are careful to not say that he's also a descendant of Ataru. I'm guessing that's partially because the manga was still going on at this time, and there was always a possibility that Takahashi-sensei would have Lum hook up with someone else. I figured Lahla might be a descendant as well, but that was never stated. Heck, at some point, before Lahla's identity was revealed, I wondered if she might be Lum from the future trying to get things set back to right.

There were really no funny moments in the movie, though some attempts at jokes were made. While I didn't laugh, I think the most amusing moment came from the embarrassed Ataru revealing he had lots of red strings attached to him, followed by Lum's natural (if delayed) response.

One side note - I know these are old translations, but I had to laugh at the absurdity of the fear of a Japanese title/honorific being so great that a French honorific had to be inserted to try to capture the moment (an "oneesama" was replaced with "mademoiselle"). *lol* Then again, we really haven't progressed too much beyond this when it comes to official anime subtitle translations after FUNimation abandoned their trendsetting ways.

In the end, despite some pacing problems and some music that made me cringe a bit, the movie wasn't all bad. It was predictable in terms of plot, but I was entertained, which is what matters most.

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