We are privileged that technology allows us to view such films as this, that are almost 100 years old, in such clarity. The print now available on Blu-ray is stunning and even if, after the first few minutes, one becomes used to this, when the setting switches to Berlin nighttime street scenes, our jaw drops again. Vintage photographs of amazing clarity come alive as buses, taxis and crowds of people jostle as the neon shines brightly in the sky. The vaudeville scenes of the 'Codonas', standing in for our film stars, fly through the air with the greatest of ease and demonstrate their infamous 'triple somersault' with only the excited crowd below. Throughout the film there are wondrous shots of the streets, the circus, the fairground and more intimate cabaret, but also there is a tale to be told. Emil Jannings is our star, seemingly too old for the part and looking more like a builder or truck driver than a trapeze 'catcher' but he was such a popular performer back in the stage and silent film days in Germany, this slight oddity would have gone unnoticed. Even more noticeable is the beautifully strange Lay De Putti who plays the love interest here. or should I say, 'sex interest' for this is a surprisingly saucy and frank portrayal of the natural and obvious appeal of such a young and pretty and half naked dancer and trapeze artiste. Not over long, remarkably involving and most fascinating glimpse into the 'variete' scene in 20s Berlin.

Wonderful cinematagraphy and cutting influenced other films of the day. The story is old, but made interesting by the acting, sets and location shooting. The trapeze act shots are well worth seeing, though vaudeville and circus fans will be unhappy that there are few other acts shown. However, a 30 or 45 second summary of the variety (vaudeville) show is clever.

The print I saw at New York's Museum of Modern Art did not have the 'prolog' either. Perhaps it was omitted when the film was released in the US.