Visitors

2013

Documentary

Rotten Tomatoes Critics - Certified Fresh 69% · 55 reviews
Rotten Tomatoes Audience - Spilled 50% · 1K ratings
IMDb Rating 6.2/10 10 1209 1.2K

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Plot summary

From the director of KOYAANISQATSI, an astonishing film that documents the drama of how we both live and witness what we experience. Shot in rich black and white Godfrey Reggio's latest film finds the full spectrum of emotion in human faces, gorgeous landscapes and even the behavior of an especially expressive gorilla.

Director

Top cast

720p.BLU 1080p.BLU
806.43 MB
1280*1448
English 2.0
NR
23.976 fps
1 hr 27 min
Seeds 28
1.62 GB
580*656
English 5.1
NR
23.976 fps
1 hr 27 min
Seeds 40

Movie Reviews

Reviewed by alabrian 7 / 10

Reggio in typical form

I was fortunate enough to come out of a European premiere with Glass and Reggio doing a small Q&A after the screening, providing some insight in their scoring/filmmaking process. Should you already be familiar with other Reggio/Glass collaborations, expect no surprises; the film takes gracefully advantage of modern cinematic techniques and some CGI, but in its core is using the same visual narrative introduced in Koyaanisqatsi, albeit using humans primarily as a focus.Reggio does have an overarching vision and communicates it with deliberation, but that vision tries to capture expression and reaction predominantly around technology, in its spontaneity. Although most of the people depicted are indeed actors, they were given no script or instructions, merely captured after given certain stimuli. The nature/human relationship is once again explored, I feel however, to a lesser degree compared to his older material. A lot of viewers would not find logical or coherent structure in it, but as Reggio pointed out, that was not the movie's goal. Rather, it is more of a collage of visual elements as for the viewer to experience, absorb and process as they will.
Reviewed by brchthethird 5 / 10

Visually attractive while oblique in its meaning

It may be too strong of a word, but I liked KOYAANISQATSI and, to a lesser degree, NAQOYQATSI. Maybe I shouldn't use "like," when "appreciate" would be a more accurate description. For what it's worth, Godfrey Reggio has a distinct style of "documentary" filmmaking that combines images and music in interesting ways, and VISITORS is no different in that regard. Where this particular film failed for me is its extreme obliqueness and refusal to contextualize anything or even hint at a possible meaning. Perhaps it's my fault and I "just don't get it," but film appreciation goes both ways, and I shouldn't have to do all of the work. Still, however boring or unengaging I found it, the photography was nothing less than stunning and Philip Glass' music was excellent as usual. As for what's in the film, there was a lot of slow-motion close-ups of people's faces expressing a range of emotions, time-lapse photography of natural elements and man-made structures, a close-up of a gorilla, and aerial photography of the moon's surface. I suppose I could conjecture, based on what is shown and the title, that humanity is interconnected in our emotional expression as well as being "visitors" to Earth (in that we aren't here forever). There was also some juxtaposition between natural and artificial things, but that element was common in both of the previous Reggio films I watched. To be honest, I don't know quite what to make of VISITORS. It looks pretty and has a great score, but its meaning eludes me, and that's why I found it frustrating.
Reviewed by R-Clercx 6 / 10

Waiting 11 years for this? Kind of a bittersweet present after all this time.

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