Wedding Present

1936

Action / Comedy / Romance

3
Rotten Tomatoes Critics - Rotten 46%
Rotten Tomatoes Audience - Spilled 46% · 250 ratings
IMDb Rating 6.2/10 10 737 737

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Plot summary

Charlie Mason and Rusty Fleming are star reporters on a Chicago tabloid who are romantically involved as well. Although skilled in ferreting out great stories, they often behave in an unprofessional and immature manner. After their shenanigans cause their frustrated city editor to resign, the publisher promotes Charlie to the job, a decision based on the premise that only a slacker would be able crack down on other shirkers and underachievers. His pomposity soon alienates most of his co-workers and causes Rusty to move to New York. Charlie resigns and along with gangster friend Smiles Benson tries to win Rusty back before she marries a stuffy society author.


Uploaded by: FREEMAN
December 09, 2020 at 07:46 AM

Top cast

Cary Grant as Charlie Mason
Gene Lockhart as Archduke Gustav Ernest
Joan Bennett as Monica 'Rusty' Fleming
William Demarest as 'Smiles' Benson
720p.BLU 1080p.BLU
752.39 MB
978*720
English 2.0
NR
23.976 fps
1 hr 21 min
Seeds 2
1.36 GB
1456*1072
English 2.0
NR
23.976 fps
1 hr 21 min
Seeds 4

Movie Reviews

Reviewed by dglink 6 / 10

Comic Cast in Search of a Comedy

The romance of a pair of nearly-married prankster-loving reporters is disrupted, when one of them is promoted to editor and suffers a drastic personality change. Unfortunately, despite a winning cast, this earnest attempt at screwball comedy fails to gel. Rusty Fleming and Charlie Mason clown around and play jokes, but the results are often silly and unfunny. Singing childish songs with a band on the back of a truck, making wisecracks while someone is supposedly drowning, knocking out the pilot to fly a plane into a storm; all are desperate failed attempts to be amusing.

Based on a screenplay by Joseph Antony from a story by Paul Gallico. "Wedding Present" squanders a stellar cast of comic performers, who give their best with a incredulous lame script. Cary Grant is Charlie, the crazy newsman, who goofs off at city hall and misses the closing hour to get a marriage license; meanwhile, Joan Bennett as Rusty, Charlie's news partner and romantic partner, shows the strains of life with a wild and crazy guy. However, Rusty is tolerant until Charlie's promotion, when he abruptly becomes a tough, serious-minded taskmaster in the newsroom. Nothing is predictable as wanted gangsters, a self-help author, a sinking ship, a posse of incompetent office painters, a missing archduke, and a bunch of silly songs complicate matters. Sounds funny? Not really, the script is too disconnected and ridiculous to evoke more than an occasional smile

Grant outrageously mugs his way through much of the film; while he is in his "Cary Grant" handsome comic mode, this is no "Bringing Up Baby," and the material does not warrant his efforts. Lovely Joan Bennett under-plays her role, and she registers better with a sly and subtle delivery. Like the stars, the supporting cast of comic players deserves better material. George Bancroft as a news editor, Gene Lockhart as the archduke, William Demarest as a gangster named "Smiles," and Edward Brophy as Demarest's sidekick "Squinty," have their moments, but they have had better ones in better films. Although director Richard Wallace cut his teeth on silent comedy, he generally helmed "B" pictures, and his work on "Wedding Present" is middling at best. While the film is worth catching for the cast, all have done better work elsewhere, and, if viewers want to see a classic screwball comedy about reporters, "His Girl Friday" fills the bill.

Reviewed by BandSAboutMovies 5 / 10

Early Cary Grant

Richard Wallace (A Night to Remember) directed this screwball comedy vehicle for a young Cary Grant, who plays Charlie, a man whose promotion to city editor drives his reporter girlfriend Monica "Rusty" Fleming (Joan Bennett, who was also in Big Brown Eyes with Grant) to New York City. That means that Charlie must grab his friend "Smiles" Benson (William Demarest, Uncle Charlie from My Three Sons) and try to win back his lady love.

Gene Lockhart, who plays the Archduke Gustav Ernest, would appear with Grant again in one of his biggest roles, His Girl Friday.

It's funny knowing the Grant that would end up in films like North by Northwest and see him in his fast-talking days, rushing through slapstick antics. That said, this is a fun escape from the majority of the bad news that is on the TV these days, a reminder than 1930's films are still worthy of rediscovery.

Reviewed by MartinHafer 4 / 10

In many ways, like an earlier and less well made HIS GIRL Friday

In so many ways, this film seems to have strong elements from one of Cary Grant's best films--HIS GIRL Friday. While the Friday plot is taken from the Pat O'Brien/Adolph Menjou film, many elements about the characters seemed to have been taken from WEDDING PRESENT--with Cary playing pretty much the same character in both films and Joan Bennett playing a part very similar to the one later played so well by Rosalind Russell.

Unfortunately, despite these similarities, WEDDING PRESENT is from from being a classic film. While up until the terrible ending I would have given the film a 6, by the time it was over the film barely earned a 4--while HIS GIRL Friday is clearly a 10 and one of the best films of the era.

The film begins with Cary and Joan wacky highly respected newspaper reporters (just as in Friday). They are about to get married, but it all falls through thanks to Cary's being too much of a comedian--and Joan realizes that he'd make a lousy, but fun, husband. Despite the breakup, they spend much of the first half of the movie together on various adventures and this is by far the best part of the film. I particularly loved the scenes with Gene Lockhart as the Archduke (this was perhaps the best supporting role of Lockhart's long career).

The problem, though, is that the momentum wasn't maintained after a while. When Cary became the boss at work and Joan walked off the job, the film became a mess. In particular, the ending. In a very irresponsible and unfunny ending, to stop Joan from marrying another man, Cary calls in tons of false alarms--reporting fires, most-wanted criminals who were spotted, illnesses, mental patients, and a ton of other problems at the fiancé's home. This certainly wasn't funny--just very cruel and irresponsible. And, in a Hollywood twist, Cary gets away with this AND gets the girl. In the process, Joan treats her fiancé and his family like dirt. What a selfish and nasty way to end a film!! Had they shown Cary in prison for a year for calling in all the false alarms and inciting panic, then I might have enjoyed the ending!

Overall, not a great film and at best a time-passer. While I love Cary Grant films, I also have to admit that occasionally he had a disappointing film like this one or ONCE UPON A TIME or KISS AND MAKE-UP. Of course, he also had HIS GIRL Friday, ARSENIC AND OLD LACE, NORTH BY NORTHWEST and a ton of classic films to make us all forget about these few duds.

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