Did I need a Wham! Documentary in my life? I didn't think do, but turns out I was wrong. Now let's be clear I wasn't a Wham! Fan. I did grow up in the 80s, but I don't think there's a single Wham! Song I like. So why on earth am I watching this? Well partly the power of Netflix marketing and partly that I do enjoy a good documentary. And this is a good documentary. It doesn't break any moulds, the format of tons of archive is fairly standard now, but there is a wealth of stuff here that takes you right back to the era with nailed on authenticity. Two high school mates, fooling around with music, playing, experimenting. Nothing much else to do and plenty of social discord to feed off, as they muck around with home demos. What's obvious though is they've got talent and drive and in George (or Yog), a great charismatic singer. 'Wham Rap' still leaves me cold, but hey at least there was some substance to it and in 'Careless Whisper', although it's pure schmaltz, it's pop potential really does smack you in the face. What's interesting now, watching in 2023 is the reliance they had on the record industry to be given a break. No social media or accessible DIY scene. Young George and Andrew aren't work shy, putting in the hours on dingy club tours, but it's a lucky break getting the chance to fill in for a no show on Top of the Pops and from there things go nuts. It's all about the look. It's the 80s after all. Pretty boys (plus the two girls) and a dance routine what more do you need? Nothing apparently. The hits keep coming, charting every single. There's no talking heads and most of the narration comes from Andrew Ridgley, stock filling in where the archive gets sparse, but there's plenty from George Micheal too, these parts beautifully edited to make it feel like he's been part of the production with the two friends still bouncing off one another. No more so, than when the subject of George's sexuality comes out. How he handled it or rather didn't. His realisation that he was gay, at a time where that was still an issue in a Conservative British society. Instead of being excepted as it would be today (in music at least), it's repressed and hidden. Overshadowed by the critical punches they took as their pop star rose. Screaming teenagers taking over as they go on tour, they play up to it, leaving by what I'm sure are the front doors of Manchester Apollo (58:50) in towel robes, when they could've snuck out the side door. It's the era of Whamania and they admittedly love it, sticking their faces on merch... and making sod all money. It's details like this that make documentaries on subjects you didn't think you cared about interesting. Because you don't know everything and often because you've not paid attention and dismissed something, you've not realised there's more meat on the bone. So we wind through the sordid issues or dodgy record deals, the band creative separation, ambition and two people on different paths. Ridgley talks openly and candidly, as much of the story becomes commanded by George. It's to Ridgley's credit that he drives this so well. It's a love letter to a lost friend. Am I a converted Wham! Fan? No, not at all, but I'll admit more respect for George Micheal and Andrew Ridgley, what they did and how they did it.

There's a decade that began with lots of style, if you were there I'd guarantee you had a smile, as New Romantics left a mark, Punk and Disco had a spark, but it was Wham that got you dancing in the aisle. Two bad boys who generated so much fun, they were the epitome of everyone's young gun, a ray of sunshine, panorama, cocktails abound at Tropicana, as they opened doors to everyone's freedom.

A more than enjoyable reflection of a time two young lads came together to create some pop perfection, to wake up a generation and give those tuned in, everything they wanted, getting closer to a heaven, than they'd ever been before.

Pop band formed in England by George Michael and Andrew Ridgeley.

And a Netflix documentary about this group.

As Turkey's biggest George Michael collector, this documentary contains records that I have never heard of before, and details that I have not seen.

This; The story of two misfits, who are not even alike, changing the history of music... This; A window into George Michael's personality... This; An impressive store of information about the entire world music industry over the England of the period.

This; A depiction of how volatile, forgetful the 80s were, despite not having the social media of today.

With pieces such as Careless Whisper and wham rap that George Michael wrote when he was only 16 years old, he proved what a great music person he was 43 years ago.

It is a very nice feeling to watch the unknowns of this great musician's adolescence period, but it is also a bit sad.

Here is the story of a lonely man in the crowd.

In England, because he comes from a Greek family... Because he has to do things he doesn't want in the music industry he loves so much ... Because he is a gay teenager who has to hide himself among the people he loves...

Long story short Wham! The documentary is a very important Netflix project not only for the fans of George Michael, but also because it portrays the period.