Wuthering Heights
1939
Action / Drama / Romance
Wuthering Heights
1939
Action / Drama / Romance
jealousy sibling relationship based on novel or book love of one's life central and south america rags to riches
Plot summary
The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw's son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley's sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the moors and despite the continued enmity between Hindley and Heathcliff they're happy -- until Cathy meets Edgar Linton, the son of a wealthy neighbor.
Director
Top cast
Tech specs
720p.WEB 1080p.WEBMovie Reviews
"I cannot live without my life! I cannot die without my soul!"
Shoot that poison arrow in my heart
I saw this film many years before I read the book, I know which I prefer - OK, maybe with rose-tinted spectacles on. The book by Emily Bronte is an undeniable classic as is this film version but imho this is a much better use of one hundred and five minutes of life. And though they keep trying, this will remain the best condensation of the story, Wuthering Lites c/o the original Fantasy Factory.
Waif brought into well off Yorkshire home, grows up to fall in violent love with the masters daughter and violent hate with the son, and eventually owns the estate but not the woman. Laurence Olivier and Merle Oberon are perfect as the manic birds of a feather Heathcliff and Cathy with David Niven as the elegant sidelined husband. Everyone is portrayed as faulty or unlikeable in some way, romance is seen as hopeless childishness leading at best to passionate petulance, at worst to death; love is as strange as people. It's relentlessly beautiful stuff, gloriously photographed by Gregg Toland with a glowing atmosphere and a most assured production than has not been possible to achieve again. The spirit of nonsensical romance has been lost in this more cynical age. Favourite bits: Miles Mander's melodramatics at the beginning resulting in Flora Robson's picture-long flashback; the windswept pair on the rocks; the pair gatecrashing the dance; Oberon's unravelling to Niven and the tear-jerking finale. Director William Wyler had a long and illustrious career, but to my mind he never bettered this effort.
Watch it and weep; not only at the film's content but for a cinematic era long dead and never coming back.







