Professional thieves Bo (Andy Lau) and Li (Rene Liu) con a businessman out of his BMW, and head for the hills to lay low. They visit a temple, where Bo busies himself relieving pilgrims of their wallets and phones, while Li earnestly prays. Shortly thereafter, she announces to her lover that she wants them both to abandon their thieving lifestyle and settle down. When he refuses, they argue and split.

On foot and hopelessly lost, Li encounters Sha Gen (Wang), a simple man who wants to find a wife and settle down with the money he's earned. He helps her find her way to a train station, where she's reunited with Bo.

Touched by Sha Gen's open honesty and trust in his fellow travellers, Li adopts him as her little brother, and decides to protect him and his money on their journey as an act of redemption. However, while Bo wants to get back together with Li, he has his eye on Sha Gen's moneybag. To make matters worse, a whole gang of thieves is on board the train, and they all wouldn't mind helping themselves to the easy cash. It's thief vs thief as the train rolls through gorgeous landscapes, and Li has her work cut out defending Fu from all sides, not least her unscrupulous lover.

I've only seen one of director Feng Xiaogang's movies before, 'Big Shot's Funeral', and will admit to not being blown away by that. This, however, is a very engaging and beautifully shot romantic crime comedy, and I enjoyed it immensely. The product placement that seems to have offended many viewers slipped by me, and the pro-communist message simply fits the character of Sha Gen and did not seem out of place. I certainly didn't feel anything getting forced down my throat.

Andy Lau manages to be a likable rogue, while Rene Liu plays her role with a lot of heart. Their on-screen chemistry is perfect.

There are a number of 'fight' scenes between the thieves, that put me in mind of the 'God of Gamblers' series of films. Instead of fighting with Mah Jong sticks or flinging cards at each other though, the thieves duel with razor blades as they try to poach from one other. These scenes are inventive and done with flair and just the right amount of CG trickery.

I did have a problem with the ending, which - while being necessarily melodramatic - seemed overly manipulative. To compensate for this, Rene Liu's acting at the conclusion should leave all but the hardest of hearts unmoved. I have to admit with some shame that this is the first film I've seen starring this astonishing actress. It will definitely not be the last.

World without Thieves (Tian Xia Wu Zei) is a film by director Feng Xiaogang. It involves a romantically involved pair of thieves. As the film begins they are extorting money from a rich man they have filmed trying to seduce the woman. Soon after this, the woman decides she has had enough of this kind of life and wants a normal existence. Her partner in crime, however, has no intention of quitting the business. She stops at a Buddhist temple to pray and there is befriended by a worker on the temple. The man, whose friends call him Dumbo, is returning home with his five years wages from working on the temple, 60, 000 RMB. Although his friends tell him to wire the money home and warn him about thieves he insists he is fine taking the money on the train with him and that they are too distrustful of people. In an attempt to prove to his friends that there are no thieves on the train, the young man has announces to the entire train that he has the money and that any thieves should show themselves. When they don't, Dumbo says, "see,there are no thieves here." On the train, he hooks up with the thieving couple, and the woman makes it her mission to try to protect the gullible young man from those who would steal the money, in particular from a gang of thieves on the train, and perhaps from her own partner. Like Bu Jian, Bu San, this film is not a light comedy, although it seems to start out as such. Instead, it is a serious and emotionally taxing film that can be alternatively thought provoking and hilarious, with the contrast between the gullibility of the young man and the sophistication of the world weary thieves providing the central moral focus Feng is a major Chinese writer/director. He traditionally releases movies around the Chinese New Year. A beautiful movie, highly recommended.

Feng has traditionally produced a movie each year close to the new year, but the tone of his movie has grown darker and sadder. A World without Thieves is another example of this progression.

The story is simple, but the characters have layers, and the dialog remains classic Feng-style as ever. All performances are good to great. The villain role is set up perfectly for Ge You. The production value is the most polished I've seen from a Feng's film. The camera work, the editing, and the music score all feel artistic and are mixed together quite well. As for his previous movie "Cellphone", there are a number of sad moments in the movie where your heart will be heavy. Overall, highly recommended. 8 out of 10.