Not only there's beauty in the honesty in which the film explores themes of self discovery in the life of Lucy (Dakota Johnson), a 32-year-old woman who comes to a realization of an inner part of herself that was dormant, but also in the depiction of friendship. Dakota Johnson and Sonoya Mizuno have the on-screen chemistry to successfully show the ups and downs of two best friends.

Dakota Johnson's wittiness is hilarious. Since those interviews with Jimmy Fallon some years ago, we know humor is something that comes effortlessly to her, and in this movie she proves once again she's really funny. The dynamics of the characters and how they tread unknown territory in their lives give the story an interesting take on social matters that isn't shown on-screen every day. This decision defies the complacency often found in comedies, making "Am I OK?" worth watching.

Coming out isn't always an easy process, especially for anyone who has lingering doubts about his or her sexual orientation. However, given the prevailing conditions present in contemporary society, this gay comedy-drama from directors Stephanie Allynne and Tig Nataro stretches credibility where that notion is concerned. Thirty-two-year-old Angelino Lucy (Dakota Johnson) can't figure herself out sexually speaking. She's not particularly interested in men, as her sometimes-male companion, Ben (Whitmer Thomas), finds out, but she's not sure if she's genuinely attracted to women. She spends considerable time with her bestie, Jane (Sonoya Mizuno), a straight woman whom she's known for years but who is also about to relocate from Los Angeles to London for work, a development about which Lucy has mixed feelings. So, when Lucy at last opens up to Jane about her possible lesbian leanings, she does all she can to get her friend a date before she leaves for England. But, somewhat perplexingly, Lucy hesitates at every turn, fearful of what might transpire. And therein lies the problem with this film - it's just not believable. If this picture were made (or set) 40 years ago, when social acceptance of alternative lifestyles was more problematic, then it would probably come across as more plausible. But, given current conditions, it's simply not convincing. If Lucy were to live in an isolated conservative small town, it might be more conceivable, but she lives in Los Angeles, for goodness sake, where alternative sexuality is virtually a prerequisite for residency. Lucy's exaggerated whining about her reluctance to move forward grows tiresome, too, and it's easy to see why Jane loses patience with her. That's a problem compounded by Johnson's underwhelming performance, which is annoying and anything but persuasive. The script's humor is fairly thin, too, save for the laughs generated in cameo appearances by LGBTQ+ icons like Sean Hayes and Nataro, who delivers a positively hilarious performance as a deadpan New Age retreat facilitator. But the film genuinely could use more of these edgy narrative elements (along with greater overall believability) to succeed as a viable release. In fact, given Nataro's reputation as a source of outrageously sidesplitting comedy, this project is surprisingly tame and inherently more conventional than what one would expect out of someone so innately talented. The picture's aptly timed streaming release for Pride Month isn't at all unexpected, but it's genuinely unfortunate that this just isn't a very good movie. Gay cinema has come a long way in recent decades, but this offering feels like an anachronistic throwback to the early days of the genre. We've seen stories much like this before, but the LGBTQ+ community deserves something more inventive - and better overall - at this point.

The lines "I think it's because you're afraid of getting close to someone for fear of rejection", but also "that's so lezz", are uttered in this movie.

Never too late to change your life's direction.. or to ponder in anxiety if where you are is right or not. You may think you have everything under control, only to soon be reminded that you just don't. But not-so-believable super friendships is always a start.

The movie feels "soft", and a tad obvious (or is it?), but the ending was fresher than I expected.

It certainly has a gloomy feeling (that is most probably on purpose), and a relatable "awkwardness in life" from the lead.. so I'd say it is well done! It accomplishes what it sets out to do.. although not sure about the strength of the message or even the way it delivers it. It's enjoyable, in a way, but not memorable at all. I'm feeling a "Beast of the Night" (by CATBEAR) out of 10.