I was one of a handful of people who had the privilege of seeing this movie on its premiere night in Toronto at the Toronto International Film Festival. I wasn't exactly sure what to expect going in and I was nervous that my friend (who had never heard of 30 Seconds to Mars) would be bored. Within five minutes of the film I knew we were in for a great movie. Jared, Shannon, and Tomo open their lives up to the viewer during what is probably the most tumultuous time during the life of their band. This movie is entertaining, informative and heartwarming all at the same time. The band managed to create an award-winning documentary which contains beautiful imagery and appearances from some of the most influential people in the industry, all with a 30 million dollar lawsuit looming over their heads. In the spirit of full disclosure it should be noted that I am a Jared Leto fan from way back, but I wouldn't hesitate to recommend this film to anyone.

This review is slightly different from the normal films adapted from literature that I include on my blog. But this particular film is inspired by true events by a worldwide, well-know alternative rock band and can be used as a valuable tool to anyone contemplating a recording contract and as such is an adaptation (use your own definition of the word here). Keep in mind that not all bands experience what this band has encountered and not all record companies are this greed based. But, after working on their documentary film Artifact for a number of years, Thirty Seconds to Mars has released this 2012 film to the general public. It can be found in some theaters but is available through iTunes as a rental or for purchase in SD or HD. It is an interesting film which shows the band's fight with EMI/Virgin Records, their record label, and the greed of this company and some other parts of the record industry. It might be difficult for some to feel sorry for this world famous band, believing that they have earned a lot of money through the sale of their music, but if the truth be told (and with all the interviews throughout the film who will attest to it) this band was sued by their record company for thirty million dollars and to date have not received any compensation for their albums. This would explain why they are on the road, touring around the world, in order to receive some compensation for their labors. They hold the record for the most days out on tour at 311! Originally, the film was to document the making of their third studio album, eventually entitled This is War, based on the fight with the record label. What transpired throughout all of this was a story of how the band had to finance, by themselves, this album and their struggle with their record company and the ludicrous breach of contract lawsuit of $30 million, which started in 2008. It should be noted here that there is a labor law in California, where the band is based, that states no contract can be longer than seven years. Thirty Seconds to Mars in 2008 had been under contract to EMI for nine years and unfortunately, they had not be paid for their previous two records and were notified that they were in debt to the company. The film breaks down the horrid process which for all intensive purposes can and does hold some bands financially prisoner. Due to this knowledge, Thirty Seconds to Mars, considering the California law, tried to terminate what they considered an unfair contract, but were informed that they did not produce the required five albums that the contract specified and were then sued for the $30 million by Virgin Records. There is a larger issue involved here that the film attempts to document which is what the front man for the band, Jared Leto, states is the unfairness and lack of artistic freedom the musicians are confronting. It is obvious that he cares greatly about this issue and even though the issue with the record company was resolved and, as of today, EMI has been purchased and sold off, there still remains this issue of unfairness and lack of freedom along with the possibility of being sued and not being compensated for artist's art, which is what music is. The film was directed by Leto under the pseudonym of Bartholomew Cubbins, a Dr. Seuss character, and it has won some awards. Leto has also directed other films, mostly music videos under the same name. But as well as this film contains lots of very good substance and content, it has the appearance of a music video and not a documentary film. Yes, it contains the necessary information to inform and it shows the passion of the topic being discussed, but it has too much emotion. Documentary films do just that…document and inform. In my estimation, it would have been better served if an entirely different production team had been hired…from the directing, to the camera work, to the editing. And as well as iTunes is number one for marketing, a larger distribution would have helped this film reach a bigger audience. Keep in mind, not all record companies work the way Thirty Seconds to Mars states, but as I have already said, it is a good film to watch and learn from.

I was lucky enough to attend the first ever showing of Artifact at the Ryerson for TIFF. This documentary is an inspiring documentary about fighting for what is right. It not only is informative about the music industry it is also beautifully made. It takes the audience on a journey of struggle against a corporate machine and into the compromise that must happen in order for MARS to continue to do what they love, which results in a magnificent documentary and also the creation of the epic album This is War. Anyone who sees this will walk away with a new found respect for what a musician goes through to create the music that enhances our lives.