A cheesy, ineffectual monster-on-the-loose yarn from director Tonino Ricci, a man who can usually be relied upon to deliver the goods in a typically low-budget, untalented fashion. Although not as much a laugh riot as his later classics RUSH THE ASSASSIN and its super sequel RAGE, PANIC is nonetheless an interesting but failed attempt by the Italians to produce a British-set horror-cum-science fiction thriller. In some ways the film is similar to the Spanish LIVING DEAD AT THE MANCHESTER MORGUE - copious use of location filming in the UK adds to the impact and feel of the film but Ricci is not able to bring enough atmosphere to his settings as Grau did in his classic zombie film. To add to the similarities between the two films, Jose Lifante pops up again playing the fairly major part of an investigating policeman, Sergeant O'Brien, instantly recognisable with his pale visage and bulging eyeballs.

The film begins with a poorly-edited accident at a science lab, where something happens to somebody. It's hard to tell what, because the editing at this point is atrocious, a flaw that is occasionally repeated throughout the movie. Later it turns out that a scientist has been exposed to a germ which turns him into an ugly mutant with a thirst for human blood. PANIC enters predictable B-movie territory as the monster stalks and slashes a variety of naked Italian females, who spend their time either making out in their cars or showering at unfortunate times. A pleasing amount of shoddy gore effects are splashed about, adding to the minimal enjoyment that the film offers. Lots of padding is taken up with scenes of government investigator David Warbeck (playing, get this, a character named Kirk Dude!) and his superiors searching uselessly for the deformed scientist, whilst some poor effects and a smoke machine behind an aeroplane try to convince us that the authorities are ready to drop a bomb on the town at any moment.

Things culminate in a not-bad attack by the mutant on a cinema full of patrons watching an exceptionally bizarre film, which seems to involve a man riding back and forth on his motorbike whilst comedy music plays! Sadly Ricci ruins things by filming the actual attack in the pitch black, so all we hear are the noises. His money-making ploy doesn't pull off. The finale of the film involves the creature being cornered in the sewers whilst Warbeck and the police force close in, and there's a cheesy action finale in which Warbeck lets loose with a gas-gun. One highlight that the climax holds is the surprisingly excellent special effects used for the monster, basically a gruesome prosthetic pulsing mask which looks really nasty - kudos for the effects guys on their obviously limited budget.

Entertainment spots to watch out for include the various monster attacks, plagued by overacting from the monster and its victims, and the gratuitous nudity thrown in at every opportunity. One hilarious highlight sees the police investigating growling coming from behind a bush, only to release it's only a drunk - doesn't explain why he's growling though! There's also an ultra-cheesy effects shot of a giant guinea pig living in a sewer, although the effects here are so poor that it took me a few minutes to figure out what I was supposed to be looking at. The small, B-movie cast is headed by action hero David Warbeck, in what I believe to be his first outing in an Italian horror film, and as usual he's the best thing in the film, putting in a solid performance. Janet Agren is ineffectual and has bad hair as the heroine, who inexplicably cares for the monster even whilst he's killing people, and lower down in the cast is Franco Ressel as a victim who has his legs torn off. Not one of Ricci's best movies, but a cheesy delight for bad movie lovers and a bit of a bore for everyone else.

Eminent professor (Ricci) is transformed into a mutated monster following a scientific accident at a chemical laboratory where germ warfare agents are being covertly developed. When politicians learn of the breach, they enact "plan Q" to annihilate the town where the hideous man-beast is now stalking mostly buxom women to feed his insatiable appetite for blood. Special investigator (Warbeck) teams up with local Sergeant (Lifante) and the Professor's laboratory assistant (Agren) in a vain attempt to capture the beast, administer an antidote then convince the powers-that-be that the threat of contamination has been averted thus saving the town from imminent destruction. All in a night's work.

Sort of a "Quartermass", "Incredible Melting Man" hybrid of Italo-Spanish origin, there's little suspense or intelligence about this gore fest. Ricci's make-up is certainly hideous (as described by others, similar to a pizza with the lot), and his limb-ripping rampage of mostly nude or near nude young women will both thrill and repulse various sectors of the audience. The scene in which he interrupts the canoodling couple has some tension, but it's ultimately inexplicable and so random as to be absurd. Kiwi David Warbeck plies his trade with admirable conviction, but it's wasted effort, while Swedish bombshell Agren's character looks to have been edited down to a mere supporting role.

Buckets of blood, fiery explosions and complex conspiracies involving an array of characters whose purpose I couldn't determine, this B-grade horror has its moments, but loses momentum and drags its heels for the last thirty minutes to a disappointing conclusion.

Panic is a lame monster on the loose tale that suffers from a number of flaws, ranging from obvious production goofs to a terribly paced ending. Its basic premise is that a failed scientific experiment turns a scientist into a blood drinking monster while simultaneously unleashing a deadly virus (although how the virus factors in is something of a mystery, as we see no signs of an epidemic.)

The most comic aspects of the film are how its claim to be set in England clashes with the Spanish / Italian production. For instance, the police and military featured in the film wear Italian style uniforms. Furthermore, large sections of the dialogue are clearly dubbed in. These comic elements are the most enjoyable parts of the film.

Unfortunately, the film's drawbacks more than match its comic value. The monster itself is poorly done, with bad make up and obvious gloves standing in for its hands. The pacing toward the climax is lethargic, so that I had to fast forward out of boredom. Furthermore, you'll be able to guess what happens several minutes in advance.