Barry Munday cannot pass an opportunity in which to have sex with any women that strike his fancy. Barry is an insurance salesman whose work is a sort of an afterthought. He and Donald, his partying friend, are always chasing women they can have an easy time with. Most of the time he scores, so when he spots a shapely young woman going into a multiplex movie complex, he decides to follow her. She wants to sit on a specific location. As Barry starts getting frisky with the woman, a man coming out of nowhere holding a trumpet, attacks him viciously. Next thing we see is Barry Mundy in a hospital room. He wakes up to terrible news, because of the attack, he has lost his testicles!

As if that was not enough, Barry Munday gets hit with another setback: a paternity suit from Ginger, a woman claiming they engaged in unprotected sex, and now she finds herself pregnant. Barry comes from a background where his own father abandoned his mother and himself, at an early age. As much as he tries, Barry cannot, however much he tries, to recollect his time in the sack with Ginger. So Barry goes along, albeit reluctantly trying to make good about something he does not even remembering doing.

The months preceding the baby's birth are not happy for Barry. To make matters worse, Ginger is the antithesis of the woman he went after. On top of that, she makes it clear, all she wants is a father for her baby, nothing more. With his new handicap, Barry has to face a future that is not too bright, but with the help of his single-mother he confronts the situation head on. Ginger, on the other hand, gives no hint as to how they met since Barry does not remember their time together.

An interesting premise by Chris D'Arienzo, who is making his screen debut. He also contributed to the screenplay which is based on a novel by Frank Turner Hollon, which we never read. The material is fresh, although the director makes Ginger to be someone hard to love by anyone. The idea of a man castrated because he messes with someone else's lover is not exactly new, but as written, one feels for what life had dealt Barry, despite his womanizing and wild days. The comedy involves the families of Barry and Ginger who can do crazy things when they are together. Then, there is also the question of the Asian neighbor who might, or might not have been involved with the plain Ginger, something that is not explored by Barry.

Patrick Wilson is a fine actor who gets better with each new appearance. His life as a Lothario dominates the first portion of the movie. Barry had a way with the ladies. Judy Greer has been kept busy lately. She deserves all the work she gets for she is an actress that even in the tacky outfits she is made to wear, always delivers. The only thing that does not work is the character of Jennifer, Ginger's sister, who does not seem real, and as played by Chloe Sevigny, she is an obnoxious presence in the film. Jean Marsh is wonderful as Barry's mother. Others in supporting roles include Malcom McDowell, Cybill Shepherd, and the suave Billy Dee Williams playing Barry's boss.

When I first started watching the film I honestly almost turned off it. The movie clearly diddn't have big budget and it went quite sometime without any humor and just seemed raunchy. But once the second act came on I was honestly really engaged and by the end I really liked the film.

Patrick Wilson while hes no Adam Sandler did a great job in his portrayal of middle age guy who goes through traumatizing situation and turns his life around for the better. The rest of cast which had some big names did well too with the source material.

While there couple laughs to be had occasionally the movie succeeds more as a romance story. Sure there plenty of films that are similiar to this one but its still enjoyable as 90 minute watch. Would definitely recommend.

Barry Munday (Patrick Wilson) wakes up after being attacked to realize that he's missing his family jewels. To make matters worse, he learns he's facing a paternity lawsuit filed by a woman he can't remember having sex with.

First of all, what is up with the homely Judy Greer? You get Greer for your film, and then you make her look dumpy? Big mistake! And you have Chloe Sevigny but do not make her the lead actress? Bigger mistake! (One scene totally makes up for this grievous error, however.)

And then we have additional casting choices that are excellent, such as Malcolm McDowell and the criminally-underutilized Billy Dee Williams. A lot of good comedy relies on good casting... actors who know how to deliver a line, improvise, and ad lib if necessary. I think they nailed it here... the real hero of this film is the casting director.