The basics seemed right. New York City gets hit with a huge power outage, and in the midst of it four very violent criminals escape from custody, get into a high rise apartment building and terrorize the tenants, all the while being pursued by a lone cop. It sounds like it should be a pretty decent actioner, but from the very beginning it just didn't seem to work very well. It began with a far too long introduction to what was happening, and when the "action" did start it just came in dribs and drabs, but there was nothing sustained to it. Then to an overall dull-ish feel, you have to add a few rather silly elements in the plot. Let's see. There's the woman who gets raped and is obviously traumatized by the experience but ends up within a few minutes as the cop's partner searching the building. Then, the cop is telling everyone he meets (including a couple of unaccompanied kids) to go to the lobby (but what if they meet up with the gang on the way?) but then tells an elderly couple to stay in their half burned and smoke-filled apartment after one of the bad guys turned pyromaniac. Does any of that make any sense? We were never told what happened to the man whose ventilator was turned off (presumably he died while his wife who was tied up watched, but that was never tied up) and then one of the bad guys turns on another because the latter one hits a kid - after everything else (murder, rape, arson) we suddenly get "you don't hit a kid" and two crooks end up killing each other over it? I also wasn't taken with the performances, which seemed pretty dry to me most of the way through. The movie also had a very low-budget feel most of the way through. Some good scenes of looting appeared throughout the movie as a reminder of the ugliness of human nature, because we know that really does happen in such circumstances, and the closing car chase through the underground parking lot was pretty decent. Aside from those points though there's not much to recommend this. 2/10.

I'll give this film credit. It's slightly better than the 1968 Doris Day comedy "Where Were You When the Lights Went Out", but that's not a difficult thing to do. This is based on the actual 1977 blackout that hit in the middle of summer, turning it into a combination potential Disaster Movie and crime drama as for nutcases go on a rampage and terrorize the small ensemble seen in this film. It's the mixture of old Hollywood with the sons of old Hollywood, James Mitchum and Robert Carradine representing the later and Ray Milland and June Allyson representing the former. You get to see what's going on inside the Con Edison power plant as lightning storms begin to strike the wiring and the lights go off as if it was 4th of July on the Hudson.

The characters are extremely cliched and the writing laughable. A good majority of the test doesn't even get character names, and the flashes of them on the screen don't really give you an opportunity to get you really care about them. It's also very cheaply made with blurry photography and poor sound, the type of film that probably didn't get many showings. It's a curiosity, like a sudden car accident you pass on a major highway that you know you shouldn't watch but can't help. I will say though that the lightning effects over the dark city are pretty though it's dangerous, especially when they show patients on life-support as they do with Allyson and her husband. Once again, Ray Milland plays a cranky millionaire businessman, facing another lost weekend. Belinda Montgomery and Jean-Pierre Aumont also get to put this film on their resume, one which probably made them wish that their agents phone hadn't been working or on its own blackout when they got the call.

A gang of dangerous and ferocious criminals led by the shrewd and ruthless Christie (a genuinely chilling portrayal by Robert Carradine, who's excellent in a rare full-blown villainous part) terrorize the hapless residents of a deluxe high-rise apartment during the infamous 1977 New York City power blackout. It's up to brave cop Dan Evans (a fine and credible performance by Jim Mitchum) to save the day. Director Eddy Matalon, working from a tight and absorbing script by John C.W. Saxton, relates the gripping story at a brisk pace, builds a substantial amount of nerve-rattling suspense, and maintains an appropriately tough, gritty, and serious tone throughout. The bad guys are a memorably foul and frightening bunch: Don Granberry as giggly, volatile nutcase Chico, Terry Haig as slimy rapist Eddy, and Victor B. Tyler as mute hulking brute Marcus. The sound acting from a tip-top cast keeps this picture humming: Mitchum and Carradine both do sterling work in the leads, with able support from Belinda Montgomery as the plucky Annie Gallo, June Allyson as the kindly Mrs. Grant, Jean-Pierre Aumont as suave French magician Henri, and Ray Milland as sour rich old grouch Richard Stafford. The moments of sudden ugly violence pack a pretty harsh punch. The climactic confrontation between Evans and Christie in a parking garage is extremely exciting and well staged. This movie deserves extra praise for its evenly balanced presentation of how a crisis situation brings out both the best and worst in people. Jean-Jacques Tarbes' sharp cinematography boats several impressive panoramic shots of the city. Didier Vasseur's robust score hits the rousing spot. A worthwhile film.