At nearly fifty years old, 'Caged" isn't quite like today's women-in-prison sexploitation flicks--and that's good. But this could certainly be a prototype for those movies. Many of the same elements are here: an innocent young woman wrongly sent to prison, tough and bitter cons, unfeeling and corrupt matrons--there's even a shower scene! You'll have to look hard for any allusions to homosexuality, however; the references are so oblique that they're practically nonexistant. Still, this movie pack a wallop. It's effective and affecting.

It's a manipulative film but you won't mind. Eleanor Parker projects all the innocence and vulnerability of a wounded fawn in the starring role. As one rotten break after another befalls her in the joint, she loses that innocence and becomes transformed into a classic hardened con, a transformation greatly aided by the seemingly simple device of a head-shaving she receives from a cruel matron. The film has a plainly understood message: if no effort is made to rehabilitate inmates, all a prison is good for is to educate criminals in their chosen vocation, crime. That's another big difference between this film and the junky sexploitation pictures of more recent years--the latter don't have a message.

This film, of the genre, women in prison, or incarcerated.... is the best.. I cant understand why its not available on VHS or DVD !!!?? Brilliant performances by Eleanor Parker, Agnes Moorehead, and especially, Hope Emerson, as the prison matron... were all outstanding!! Parker & Emerson were Oscar nominated, and in a year (1950) which gave us, "All About Eve" , "Sunset Blvd", and others, that was no easy feat!!...Parkers beauty and innocence gave the film its sensitivity & vulnerability... Moorehead was also outstanding (as always) but Emerson defined the role of prison matron.. forever!!.wow what a monster....!!! what a performance.. !!watch for the lesbian moments as Emerson attempts to control the "girls" esp. Parker.. Nice moments by Gertrude Hoffmann (later Mrs Odettes in TVs "My Little Margie",) as the older inmate.... and the entire cast... a gem... dont miss.... and please reissue on video......

This movie is probably the best example of the "women in prison" genre. It's a delightful combination of noir, camp and drama. Eleanor Parker gives an excellent performance. Her slow transformation from a naive young woman to a hardened prisoner was fascinating and very realistic. This is especially evident at the end of the film when there is the photographic comparison between her character when she enters prison to when she leaves. I also like that the film does not end on a positive note. It ends bittersweet. On one hand, it's good that she's out, on the other hand, you know that Agnes Moorehead's character has correctly predicted Parker's destiny.

Moorehead's prison superintendent character was excellent and is what keeps the film from being over the top. She remains the calm, collected heart of the movie. She's a nice contrast from Hope Emerson's bonkers matron. If Moorehead and Emerson's respective characters had both been over the top nasty, then this film would have definitely been more campy. Likewise, if both characters had been like Moorehead's, then the film would be unrealistic. Emerson's matron was so delightfully horrid that you actually cheer for the Kitty Stark character in the dramatic cafeteria scene.

Lee Patrick is such a fantastic character actress and she can play so many different types of characters very well. What's delightful about many of her characterizations is that no matter how refined her character appears on the outside, there's always a layer of trashiness. The possible exception to this from the films of hers I've seen is The Maltese Falcon. In this film, she's known as "The Vice Queen" who runs a shoplifting syndicate and ends up having to serve a short sentence in the prison.

Ladies They Talk About is another favorite women in prison film of mine, but it is more of a country club prison than the one Eleanor Parker ends up in.