I don't understand why funny, dumb, and unattractive always come as a package in movies. Pretty people can be funny ... and dumb too. But anyway ... this little film is an entertaining ride. It's got funny, dumb, and unattractive people in it along with a giant pig that likes to dine on human beings. It's not a horror movie at all, except in concept. It's a comedy and it is quintessentially Korean. It's cast very well and everyone in it is earnest in their portrayal of absurdities. The cops are macho bumbling idiots, and people, and the pig, fall down a lot. As with most every South Korean film the production values are great but don't go in expecting a lot of good monsterness. The film is more about the people and the community than it is about the boar. The creature alternates between a couple guys in a furry jumpsuit and medium grade CGI but it gets the job done and doesn't look cheap. Chaw doesn't take itself seriously and if you don't, you will enjoy it. It's funny and entertaining.
Chaw
2009 [KOREAN]
Action / Adventure / Comedy / Horror / Thriller
Plot summary
A black comedy about the events that are set into motion in a town after a man-eating boar goes on a rampage.
Uploaded by: FREEMAN
June 21, 2024 at 05:02 PM
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A very fun ride
Flawed, but Still Entertaining
Chawz is another entry in the horror/comedy genre, this one coming from South Korea. Not as good as The Host, also from South Korea, a couple of years ago, but there is still some enjoyment to be had. The plot moves along a little too slowly for this type of film and has more than one similarity with the plot of the original Jaws. The comedy plays more to the slapstick side, which may or may not be a good thing depending on your taste in comedy. I personally found a few gags that made me smile, but nothing that made me laugh. The actors do a convincing job with their characters, but no one will blow you away or steal the show. The visual effects are good, using a mix of practical and computer generated, but not up to the normal standard of major North American films. If you have seen other movies of this type from this part of the world, the effects are on par. If you're expecting something along the lines of Slither or Army of Darkness, you most likely will be disappointed or even bored with this. But if you have seen The Host or Tokyo Zombie, this film is similar in tone and pacing and while never reaching the quality of The Host or the comedic absurdity of Tokyo Zombie, Chawz is an enjoyable monster movie. Flawed, but enjoyable.
Quirky monster movie that's not The Host, but still a lot of fun
CHAW is a South Korean monster movie that attempts to ride the wave of popularity that followed the similarly-themed THE HOST; while it can't hope to hold a candle to that outstanding film, it proves to be an entertaining enough comic yarn that offers more genuine laughs than most. It occupies a specific niche of Asian movies whose quirkiness alone is enough to give them instant cult appeal.
The story is a simple enough effort about a giant wild boar terrorising a rural community. There's all the usual hypocrisy amongst the police officers and detectives responsible for the village's safety, along with an outsider hero through whose eyes we witness the proceedings. The plot isn't dissimilar to the Aussie flick RAZORBACK, with various oddballs joining together to beard the beast in its lair – although, of course, it doesn't go entirely to plan.
Monster flicks like this live or die on the strength of their titular menace, and Chaw himself is a good 'un; a very well animated (with a mix of animatronics and CGI, it seems to me) and truly gigantic creature who chews on his victims in a series of grisly death scenes. The action follows the usual template, building up to big attacks and the final search-and-destroy mission, and it's all handled with relative aplomb.
The film goes for the humorous note throughout and it works; there's enough meat on the bones of the story to make it an enjoyable outing, even for those who've watched a dozen similar films. The acting is typically strong from the Korean performers, and director Shin Jeong-won clearly knows what he's doing.