Let me say that Children will hardly be a film for everyone.
Yet, as a boy in 1976 struggling with his own adolescence back then, Children, made in that same year, presented a perspective of my own life that hit so close to home. The loneliness, the hiding, the sense of shame about one's sexuality and the threats, at times real, often times imagined, of the bullying by other boys. Young Robbie Tucker (played by Phillip Mawdsley) comes off as almost catatonic at first. One might first attribute this to opening scenes where we see Robbie being bullied. Yet, as the film progresses, so too does our understanding and appreciation of Tucker's school and family struggles which are then interspersed with scenes of him as a young man. While perhaps dated, the film still resonates in way that all marginalized children in our 'advanced' Western society will easily relate to. For such a short film, Children packs a bigger wallop than many other like films.
Plot summary
Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or eleven that year, picked on by bullies at the Catholic school he attends. He seems friendless. At home, his mother is quiet, his father is ill and angry. After his father's death, there's a wake, the coffin arrives, the body is removed. The lad grieves, alone.
Uploaded by: FREEMAN
June 02, 2022 at 05:11 PM
Director
Top cast
Tech specs
720p.WEB 1080p.WEBMovie Reviews
Short yet poignant, near brilliant
Poorly paced, technically iffy, and thematically splotchy
"Children", available as part of Terence Davies Trilogy along with "Madonna & Child" and "Death & Transfiguration", is part one in the tale of Robert Tucker. Told in an artistic flashback style in ever fashionable black & white, Davies manages to confound the conventions of plot structure. Luckily, the summary on the video box let's you know that the story is told in flashbacks to Robert Tucker's childhood. Davies does do a good job of keeping the film's look undated. The only obvious clue to the film's time-frame is the ridiculous trousers worn by young adult Robert Tucker. As the viewer watches them flap in the breeze, it is clearly 1976. One highlight that may not appeal to everyone is an interesting shower scene at a swimming pool. The long shot followed by several medium shots gives a feeling of isolation. If you have a good eye, you will recognize a young Trevor Eve in a non speaking role as the "Man in Shower".