In all honesty I just wanted to watch this movie to see Iggy Pop, Tom Waites, The White stripes and Bill Murray. I was tempted to fast forward all the other vignettes to get to the ones with these characters in but thankfully I never or I would never have seen 'cousins?' -- Alfred Molina and Steve Coogan playing themselves in an absolutely perfect portrayal of the shallow, sickening and repellent nature that comes with fame. Coogan takes the word 'scumbag' to new heights, and Molina's keenness and almost innocence which slowly turns sour is perfectly pitched. Jarmusch has managed to capture the minutia of the trappings of fame so succinctly that sometimes it's difficult to watch. It's excruciatingly embarrassing but just gorgeous and has to be seen -- several times.

Likewise with 'somewhere in California'. Iggy and Tom play themselves but you can call Iggy Jim or Jimmy or Iggy or Jiggy if you like! Tom initially opts to call him Iggy but proceeds to refer to him as Jim throughout, and so the off-kilter banter begins. It's an hilarious portrayal of two guys who obviously have a mutual respect for each other's work but don't actually know each other that well. A series of ridiculous conversations and awkward silences ensue with Iggy becoming more and more animated and expressive to over-compensate for Tom's laidback yet defensive attitude. There are some excellent one-liners and it's just great watching these two giants chew the fat, fighting their different corners and trying to keep their cool.

I also thought Cate Blanchett shone in 'cousins', playing both roles as bitter cousin/ insipid famous cousin. It's another awkward, horrible meeting between two people -- one has made it, the other hasn't, and It's plain to see there isn't much love between them. We witness a series of underhand, loaded and nasty comments all in the guise of friendship, a friendship that only exists due to family ties.

Coffee and cigarettes the movie is a bit like coffee and cigarettes the vice: you'll get a buzz that's for sure. It's is an easy watch and each vignette has its qualities but as a whole it's a bit of a cheeky movie. It gets off on the fact that it has all these fab artists starring in it which goes a long way but not far enough. But I can't stress enough that it really is worth getting this movie out for the Coogan/Molina and Pop/Waites vignettes. Both priceless and essential viewing.

This movie starts out promising with a piece of absurd comedy that actually works. Though you really can't do anything wrong when Steven Wright is in your scene, I had high hopes. I mean you have everything, a good setting, bizarre dialogues and the complimentary clever twist. However, the movie pretty much goes downhill from that scene on. Jim Jarmusch tried to make art people would speak of in every lounge bar from Europe to Eastern Europe but he just comes of as lazy. He had an insane amount of time to figure how he would bring it, and then he comes up with this. It doesn't even seem like he did any writing or anything, all he did was set up the camera and hope Iggy Pop and Tom Waits would say cool lines because they're Iggy Pop and Tom Waits. Most of the material carries that bothersome "almost funny"-label. Steve Buscemi's theory on Elvis and his twin brother is almost funny, but then again no. Teaming up a near-insane Bill Murray with guys from the Wu-Tang Clan, well that was funny. Both The White Stripes and Alfred Molina have a pretty good segment too but all in all I just felt bored with the whole thing. I like the idea, but some good writing wouldn't have hurt.