A foggy night on a cruise ship. Charlie Chan huddles at the rail with a man who confides that he is a government agent investigating hot money circulating in the islands. Already two attempts have been made on his life. Chan nods sagely.

It's an atmospheric opening that sets the scene nicely, reminiscent of the best Chan mysteries made several years earlier. Various characters slink by or stop to say hello as Chan and the agent talk....all suspects?

Moments later, sure enough, the government man is struck down in the ball room, victim of a knife thrown by an unseen hand. Chan takes on both the murder and the counterfeiting investigations.

Sidney Toler is fine once again as the famous detective. Sen Yung and Willie Best are along as Mr. Chan's assistants, and while this series entry has less comedy than usual, Yung and Best do manage to get some humor out of a pair of two-way radios they use in their efforts to spy on passengers and gather clues.

Overall, the plot is nothing special but manages to hold together for 66 minutes. The cast is solid and includes some familiar faces like ship captain Joseph Crehan. It's not the best Charlie Chan movie but certainly a decent late series entry.

Best movie prop ever: One of the suspects is a professor of ichthyology and he spends most of the movie carrying around a big book called simply FISH.

Most of the Monogram Chan's fall somewhere between mediocre and horrendous, but this one was actually interesting. It had some thought put into it and definitely made the most out of its small budget. One of the previous reviewers said the movie was too claustrophobic. This is one of my biggest complaints about Monogram Chan's, but Dangerous Money does a great job of avoiding that. There are many different sets and scenes on the boat, plus there's the added bonus of all the different scenes on the island, which included some exterior beauty shots.

Another aspect of this movie I liked was the absence of Bumbleham Brown. He always seems to take over and dominate the scenes he's in, which usually detracts from the mysterious mood that has been created. In Dangerous Money, Chattanooga and Jimmy Chan are more in the background and less obtrusive. I love the last scene where Charlie strangles his moronic son for almost killing Chattanooga. I wonder if they did that because so many viewers had fantasized about doing it themselves over the years?

At certain points, the story is difficult to follow, so make sure you have the remote ready. There are a few things that don't make sense, like why the hell did the criminal gang want Rona Simmonds to come to Samoa? It makes no sense, she could identify the missing objects of art. Did they want her to verify that they were authentic? They obviously didn't do it to lure her to her death because they never tried to kill her. Why did Freddie Kirk contact her father to come to Samoa?

Another nice thing about this film is that it is in the public domain. The print that I watched from archive.org was crisp and sharp, with good contrast - black and white at it's best. Also, keep your eyes on Miss Simmonds breasts. I swear that they inflate or deflate as the situation calls for. It's mind boggling.

"Dangerous Money" is an aptly named Charlie Chan film in which Sidney Toler's character investigates a pair of murders relating to illegal trading in "hot money" and stolen art. The action takes place aboard the S.S. Newcastle heading to Australia via Samoa. Along for the ride are Number #2 Son Jimmy (Victor Sen Yung) and assistant Chattanooga Brown (Willie Best). Charlie doesn't have much time to solve the case as he's committed to another investigation on arrival in Sydney. Be prepared for more uncomfortable racial insinuations, as Jimmy converses with Chattanooga via walkie talkie using the code names "Chop Suey 108" and "Pork Chop 711". Once again Chan/Toler demonstrates his dancing skill in a film; in "Red Dragon", he cut a mean rumba, here he slows it down a bit, but still quite smoothly with a shipboard waltz.

Passenger Rona Simmonds (Gloria Warren) and ship's pursar George Brace (Joseph Allen) are hiding a secret for which she is being blackmailed. She is traveling with false papers, smuggled on board in an attempt to identify art stolen from her banker father. International businessman P.T. Burke (Dick Elliott) uses his position to extort a valuable necklace from Simmonds, but as we've seen before, there is another villain masterminding the action from a loftier height. He is flushed out by Charlie in a convenient "lights out" scene intended to add to the confusion.

I have to admit, it's difficult to follow most Charlie Chan films without keeping a personal scorecard, and even so, the revelation of the killer almost always comes as a surprise. Chan himself best expresses this in a line from the film - "Kangaroo reaches destination also by leaps and bounds".