Dear Zoe is a mixed bag. Sadie Sink obviously gives a fantastic performance, and she shows so much range. Her character is also taken on such an emotional journey throughout the film and everything related to her learning to move on with life after the death of her younger sister is excellent. The movie also was very well directed, so many shots looked beautiful, and the transitions especially early on in the movie were awesome. However the script of the movie leaves quite a bit to be desired. The dialogue is clunky, the love story is very forced and the age gap is questionable to say the least. Story wise the best part of the movie was the relationship between Tess (Sadie) and her father, it felt very natural and the two had great chemistry. The movie had some good emotional scenes and nice performances but the lackluster script holds it back from greatness.

Sadie Sink inhabits the character of Tess, a teenaged girl going through a difficult transition in her life. A horrible accident upends her normal existence and shatters her family on the exact same day America experiences the shock and terror of the 9/11 attacks. Theo Rossi ("Emily the Criminal") also does good work as Tess's father in what could have been a cliched role if a lesser actor had played it. Newcomer Kweku Collins is also fine as a very (un)stereotypical boy-next-door and he and Sink display good and interesting chemistry in their scenes together.

A word about the cinematography in this low budget indie and the word is beautiful. Most independent films simply don't look as nice as this one does. There's a great physical sense of Pittsburgh and its surroundings and I like how the enhanced visuals reflect Tess's heightened awareness during this intense time in her life.

Dear Zoe has both heft and heart and it reveals important truths about both grief and guilt, and how we have to come to terms with these feelings in order to move on with our lives.