'Destroyer' is a late 1980's prison slasher that features a solid cast, some cool kills and a fantastic setting, but suffers from poor pacing and a weak climax. The movie is well-shot with decent production values and some impressive camera work. The combinations of both action and horror elements was a fun idea, but neither of these elements were explored enough to make this more enjoyable.

The plot begins with prisoner Ivan Moser (Lyle Alzado) whose about to be executed for the murder and rape of 23 victims, he avoids death due to a freak accident when a prison riot breaks out and he seemingly disappears presumed dead. 18 months later a film crew uses the prison location to shoot an exploitation flick, until one by one they meet a grisly end.

The movie has first glance has all the makings for a great slasher flick and while there some fun moments to be had such as the awesome effects, cheesy yet entertaining set pieces and interesting characters, but the movie squanders a lot of its potential by lacking any real atmosphere and could have done with a tighter script and the sluggish pace. Plus there was way too many off-screen kills and no attempt at any real suspense despite having an awesome killer, but even he wasn't developed in the slightest.

The cast is what saves this from being a total misfire, Anthony Perkins lends some credibility to this flick as the sleazy director, he's fantastic in the role and steals every scene he's in. Deborah Foreman makes for a reliable final girl and a strong leading lady. Clayton Rohner is also decent as the boyfriend and very charismatic, then Lyle Alzado is fun as hell as the killer, he's got the hulking physical presence and chews every scene he's in with such delight.

Overall 'Destroyer' is not terrible by any means, it has some fun moments, but it is a little lacklustre in its execution (pardon the pun).

1. THE GORE

Very tame for the most part. There is a scene which is quite graphic, involves a copy machine.

2. The nudity.

Bunch of nude woman that are very skinny and pretty caw caw. Shown briefly.

3. Can memes be made out of this?

The ending scene is of kind of funny. And I like the final girl a lot. Also the it's big cast of characters but a bunch of them get killed off screen caw caw.

Totally obscure slasher/action "thingie" from the late 80's that really doesn't have such a bad basic premise, actually. It's just suffering slightly from an overall clumsy execution, like pitiably written dialogs, lousy acting performances and not enough usage of great set pieces. "Destroyer" opens with the pretty awesome electrocution of a beefcake serial killer Ivan Moser, whose last wish was to watch an episode of Wheel of Fortune. It's a bit of a weird sight, but later it becomes clarified that the show's hostess was one of the killer's last victims. The first attempt to barbecue Ivan fails, and then riots break out in prison and the killer mysteriously vanishes. Years later, the abandoned prison is used as the setting for a sleazy and so-called "women-in-prison" flick; although the writer is convinced his film is a drama based on true events. Mr. Beefcake killer comes back to life and apparently one of the film's crew member, stunt woman and girlfriend of writer Susan Malone – has a psychic link with him. "Destroyer" is a very uneven horror effort. The film starts off very slow with a few extended and gradually build up towards murder sequences, and then suddenly shifts in high gear with multiple off-screen killings. The few on screen kills are disappointing and the giant jackhammer illustrated on the VHS cover hardly makes an appearance. Thanks to the film-within-film structure, however, there are some very welcome gratuitous nude sequences to enjoy. There isn't any real tension to detect in "Destroyer" and the beefcake dude, regardless of how ugly, isn't menacing at all. The guy, Lyle Alzado, apparently was a famous American Football player during the 70's and 80's. Hey, I'm European so I never heard about him before. To me, he's just a lousy wannabe actor who looks like the bodybuilder version of Luciano Pavarotti or maybe even Dom DeLuise on a really bad day. There's also a miserable little supportive role for washed up superstar Anthony Perkins as the director of the sleazy WIP-flick. At times, you can actually see him think back about the glorious days of "Psycho".