He obviously did not watch the movie, thus most of his review is utter nonsense. These are some of the points on which he was mistaken: It was clearly stated in the beginning of the film what happened to the daughter. Disturbed_guy must have finished his joint during the opening credits to have missed this. The boat had nothing to do with what happened to the daughter. The daughter died prior to the events portrayed, not during the film. The people on the boat were not drunk. The boat did not drive up on shore. There is no "random drunk woman", it is the wife's college roommate/best friend. The wife and her friends do not get drunk (though they are inexplicably in their underwear), they get high on a joint he confiscated from a student. There's an entire conversation about this, how he missed it is a mystery. The wife does not find out hubby slept with bestie, she tries to OD because hubby is going crazy. He does not just "stumble upon" dead bestie, she had been temporarily living with them and had a history of substance abuse and severe mental health issues. Hubby does not "swim headfirst" into the boat (it is clearly shown to be an accident) to save the daughter because: see points 1-4.

The acting, cinematography, scenery and music are well done. It's not horror or even thriller, It's a drama. There is no blood and guts and no jump scares. The story is evenly paced and interesting enough to keep the viewer's attention. It's not Oscar worthy but it's worth a watch.

Don't Go: Difficult to categorise: horror, time slips, attempting to change past events, maybe a touch of the supernatural about it. Ben blames himself (as does his wife Hazel) for the death of his child, Molly, who died in an accident. His guilt is worsened by where he really was when Molly perished. Ben and Hazel move to the West of Ireland to renovate a hotel but instead of being a new start Ben has strange dreams. He is transported back to a time when all three of them were on a beach. Even when awake he keeps seeing the slogan Seas The Day. He becomes obsessed with the idea of actually time travelling to avert the accident. The oddities of his situation are well illustrated - he has conversations with people who aren't really there yet seems to be able to being physical objects back from his time-slip dreams. The themes of guilt (plus hiding the truth)and the need for redemption run Don't Go but the realisation that redemption comes at a price is made all too clear. Reality (and Ben's imaginary conversations) is generally shot with a darker filter while the past beach scenes are in brighter colours. The film is unevenly paced with too much time used to set up the critical scenes, it might have worked better as a 60 minute episode of an anthology series. Directed by David Gleeson from a script by Ronan Blaney and John Collins. Saw it on RTE. 6/10.

This is the kind of twisted movie that will haunt your uncouncious nerve synapsis in your sleeping dreams. not wet they are, but a puzzle that made me think more than twice, and a maze to get out of. its a film that has two choices, start watching the end first or do it the regular way. its complicated but good

there are signs upon signs on top of signs, in dreams upon dreams on top of dreams. it has so much grieve,and so much hopes and wishes, till you start thinking the impossible will be possible. there are good pace all over,ok story and plot, acting very well done. the filmography are great, with lots of shifting themes, and the score are brilliantly used ,like a babys lollaby-song.the piano sequences that repeats inbetween are like hubba bubba under the shoes,sticky and difficult to get away.

so if your in for a mystery-drama, have a look at dont go,the grumpy old man says