"Hung plays Chang, a town bumpkin who unwittingly is drawn into the realm of the supernatural after a trick by his buddies goes awry and conjures up a zombie. His cheating wife takes note and, with her lover, attempts to kill Chang by duping him into repeatedly staying the night in a haunted cemetery, where he must face a powerful zombie. Eventually, he enlists the help of a friendly white (good) wizard to try and help him get rid of the zombies once and for all.

One of the first successful attempts at combining martial arts with horror, Encounters of the Spooky Kind is a classic in the genre that helped pave the way for such popular movies as the Mr. Vampire series. It should be noted though that the HK definition of horror is a bit different than here in the West. The zombies (or vampires, depending on the interpretation) look and act (at least to Western standards) weird, hopping about in a kind of dead man's dance. As such, the horror aspects of the movie probably aren't as strong to me as they may be to others. But the film does succeed in creating some excellent action pieces. The finale, which has Hung and the wizard teaming up to defeat a dark wizard and his demon is a textbook example of the genre and quite exciting to watch."

Oh I love 'Mr Vampire (1985)', so how could I not fall for 'Spooky Encounters' in what people call the prototype of the Hong Kong sub-genre; horror, comedy and martial arts rolled into one. It's genius. Inspired. And non-stop fun. Really the tripped-out blend would be hard to pull off, but star/writer/director Sammo Hung does an adeptly magnificent job combining them in a satisfying manner. No doubts, that this film has some influences' on other horror films. Sam Raimi's 'Evil Dead' Trilogy? I can see it. The comically bumbling, but gallant protagonist (amusingly acted by Hung) sticks out with its familiarities to Ash. The confrontations with the supernatural are exaggeratedly humorous with its free-flowing slapstick and psychical gags. The scenes of possessed rotting corpses and jumping Chinese vampires in combat and that of our protagonist's arm having a mind of its own are highly enjoyable in their spectacularly crafted set-pieces. Kung-fu choreography is that of high level with its timing, pacing and overall rhythm. Never skips a beat, as the outstanding camera-work characteristically frames every shot in a prolific and kinetic fashion. The story tells of poor worker Bold Cheung as he encounters many unusual, spooky situations when he gets caught up in a bet to stay a night in a haunted temple, but along the way he's getting close to discovering that his wife is having an with affair with his boss. The material is a jumble, but creative storm of hybrid ideas. Adventurous, cheeky and ghastly. Scripting holds up well, as it compels with its charm and fruitful quips. The witchcraft side isn't particularly horrifying, not even eerie because the humour mostly takes centre stage, but it's definitely pleasurably offbeat. But what stands out, and leaves an impression is the way they go about ending it. POW! Hung's high octane direction is thick on atmosphere, uncanny sound FX, playful score, vivid art-direction and splendidly wonderful looking (yep even though macabre corpses) make-up and special effects. Brightly animated performances by Ha Wong, Dick Wei, Ching-Ying Lam, Fat Chung, Lung Chan and Suet-Moi Leung lend well too. Growing up watching the magically crazy 70's Japanese TV series 'Monkey Magic' was where it all started for me, and I don't see myself ever falling out of interest. If you're getting bored with the recent same-old clutter coming out of modern Asian horror cinema, all you have to do is go back and delve into these early Eastern fixtures for some blistering thrills and tasty laughs.

This film deals with the persecuted character of "Bold Cheung", played by Sammo Hung, as he simultaneously battles to find those who framed him for murder and also escaping a pursuing detective. It is a mostly kung-fu comedy film, and really defined the genre of kung-fu horror, (from which titles such as "Mr. Vampire" capitalised off greatly).

The brilliance of this film lies in it's great mix of excellent choreography, and interesting and exotic characters - the horror themes are like an extra background setting that improve the film even further. Not only is it a first in it's (sub)genre, but it happens to be one of the best - and this is due to Sammo's awesome talent.

The development of the plot really does centre around Cheung, as he uses his wits and savage kung-fu to overcome various set-pieces of action such as a resurrected corpse (Chinese vampire), a voodoo-doll, a band of policemen, yet another undead corpse, ghosts, specters, and men possessed with summoned Gods.

His slapstick style is present again, as well as his unique ability for weapon choreography. The ending sequence rivals "Odd Couple" as the best weapon skills caught on film - (watch those spear techniques closely!). Cinematography in this film is superb, and the restored version I own has not dated in the slightest. In fact, the film looks better than those brought out much later, (I did notice a wash of blue across the entire print, though).

Hang in there for the end - one of the most vindictive and vengeful endings I have ever seen. It has a strange satisfaction though!