Freelance started out strong for me and I enjoyed the overall camaraderie between Claire and John Cena's character. The premise is an interesting one and it reminded me of a few films such as the upcoming Argyle and the Lost City - which I feel are throwbacks to Romancing the Stone and Jewel of the Nile per Kathleen Turner and Michael Douglas. These have long been two of my favorite romantic adventure stories so I felt freelance fell in line with that and I quite enjoyed it.

So for those who are looking for something that falls between the Lost City and any of the otehr above mentioned films, I think this is a hit.

This movie is one step shy of being an action movie, one step shy of being a comedy, 2 steps past being an actually interesting political drama with a step or two behind the dash of a journalism thriller.

Some interesting political commentary weaves through the story to mask the, at times, underwhelming action sequences and make up for the slapsticky humor that might seem a bit immature or flat.

It was fun, and that's all you can ask for out of something like this. John Cena has some good comedic chops and Alison Brie can go from stone cold to likable and charismatic in a snap.

Fun time at the movies if you ask me.

John Cena struggles in the comedic aspects of his role as a buffoonish bodyguard, coming across as silly and unintelligent rather than funny. However, his character abruptly shifts into wisecracking fight mode when action sequences emerge, creating a lack of continuity.

Alison Brie brings little authenticity or nuance to what should be an intrepid journalist character. Her bold persona feels more like a facade, lacking the complexity that would make her motivations more compelling.

The film touches on the overdone theme of bad marriages leading to bitterness and divorce. While reflecting some realities, its portrayal leans into stereotypical notions about self-centered western culture. It offers no meaningful perspectives on relationships.

The supporting cast delivers far stronger performances, adding a groundedness that the story desperately lacks. Even the villains showcase more subtlety than the two leads.

The plot is straightforward with an absence of clever twists or unexpected turns. It does attempt some commentary on the insidiousness of dictatorships, but in uninspired fashion.

Overall, Freelance assembles an impressive cast but fails to make good use of their talents. The promising premise gives way to shallow characters and a lack of directorial creativity. Fans of the genre may forgive its shortcomings, but for most viewers the film lives down to its generic title.