I originally saw this film years ago during Cinemax Friday after dark series(back when the cable box was built like a keyboard),and it intrigued me. Even though there is a pointless aspect to the film it is well acted.The performances of Depardieu & Dewaere are very enjoyable.They have a good chemistry together & Miou-Miou makes a pink fur look breathtaking.A movie like this probably wouldn't be made in these politically correct times(at least not in the US), since it seems to sensationalize things like violence,robbery,& casual sex. This movie proves that with a talented cast & also talented directing a good movie is a good movie no matter the subject.It saddened me to find out Patrick Dewaere committed suicide & in the near future I,ll will check him out with Depardieu & Miou-Miou in Get Out Your Hankerchief.
Going Places
1974 [FRENCH]
Action / Comedy / Crime / Drama
Plot summary
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.
Uploaded by: FREEMAN
August 11, 2021 at 06:44 AM
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A Trio of drifters roam around France creating mischief
Great
Bertrand Blier's anarchic comedy is full of artistic resonance, and it sure has a special meaning to me: not only because a friend of mine made me see it to let me know what he wanted to do (oh, those labyrinthine tactics of old...!), but for it took two icons of French film heritage and put them upside down. First, that Moreau woman, of "Ascenseur pour l'échafaud", "Moderato cantabile" and "Jules & Jim" fame, makes love to the two boys before killing herself, and then la Fossey, the same actress that I had seen as a little girl in "Forbidden Games" was surprisingly playing a middle-class housewife in a bus, had her bare breasts fondled by the pair of petty thugs played by Depardieu and Dewaere. It changed my vision of French cinema, as it said bye-bye to the angst of the nihilist "nouvelle vague" and proposed anarchy as an antidote to stagnation. Of course there was also Miou-Miou, and next in line a future icon (Miss Isabelle), topped by an ironic ending for all.