I'm a bit of a Ryan Gosling fan - so when he disappeared half-way through TPBTP, I felt that the film completely lost momentum. It did recover a bit, but not enough for me.

I felt the same with this film. I really enjoyed the first hour, and I felt that the mother was the most interesting character. Therefore, after the "birth" it was almost as if the film started again, and I really didn't enjoy it anywhere near as much. The nanny/nurse is pretty good throughout, but that wasn't really enough for me.

On the positive side, it's a nicely bonkers story - if pretty familiar by werewolf standards - and there are some deft touches from the supporting cast, such as the organ-playing landlady who of course knows what's going on... but I could have done with a lot less of part two.

I'm more of a killer doll type of guy myself, but I enjoy a good werewolf movie here and there and this one is a must watch for anyone who is into werewolves. Yes, it's subtitled - But, give it a chance. It's equal parts cute and depressing, clever and idiotic. A fantastic movie with a few notable flaws. The movie has these random moments that seem like there going somewhere, but end up nowhere. Some of the acting is hilariously bad, some of it is great. It's mainly the concept of a vegan 7 year old werewolf and his lesbain mother that holds the movie together. A fantastically flawed movie. Can see this being a 8 or 9 in the eyes of a werewolf lover.

Very well done film that switches genres and perhaps leading characters as it advances. Isabél Zuaa, Marjorie Estiano and the boy Miguel Lobo have great performances. It is very surprising; therefore, the less I say, the best it is for you. Congrats for directors/writers Juliana Rojas and Marco Dultra. Social issues, LGBT, horror, fantasy, musical, Brazilian culture and folklore... there are many ingredients in this unusual film which worked quite wel despite the risks.