This sure is some thriller.Darn those MTV filmmakers,when they really use their heads they show some of their true visual talents.Like the debut made by Mark Romanek in One Hour Photo, David Slade really excels as a director who keeps things extremely intense and gripping with a touch of shocking elements and pure disturbance due to its story.

A film about a pedophile who invites a 14 year old girl into his house only to lead a disturbing game of cat and mouse with shocking consequences and shocking twists.

Along with the superb debut and impressive writing ,it is actually the young Ellen Page who carries the film.You won't find her not mentioned in any review to this film.Hers is a performance worth mentioning,because she takes a huge shift towards her character. Wilson,on the other hand does an adequate job.

A surprisingly effective thriller and of course disturbing in the most shocking sense of way.This is sure one psychological thriller you ought to check out.

Well. That was disturbing. Though it is not one to recommend for "Family Night," Hard Candy offers an intriguing one-time viewing thanks to the effectiveness of its two-man show approach. Let's make that a one-man, one-girl show. I don't need a rash of emails reminding me of my chauvinism.

What the filmmakers have done is said, "Hey, Patrick Wilson! Ellen Page! We're placing the two of you in a restricted space and putting the entire movie on your shoulders. Best of luck!" Granted, I'm paraphrasing, but this is no exaggeration. There are a total of five people in the movie, and only Wilson and Page are given more than five minutes of screen time. Given this challenge, the two thespians more than hold their own.

I don't know if Wilson should take this as a compliment, but he's very convincing as a dangerously innocent-seeming pedophile. What makes him so creepy is his charm. He's a smooth, suave sexual predator. Most young girls are smart enough to do wind sprints the moment they see a dirty, unkempt man who looks to be carrying more diseases than Paris Hilton.

But Wilson is a good-looking, successful photographer. He can't be bad, right? "You look older than you are, and you certainly act older than you are," he tells Hayley, perfectly manipulating her young, fragile emotions. And hey, he can't be dangerous. After all, he obviously has the most innocent of intentions! Why else would he reassure her that he's aware of the legal boundaries? She's puddy in his hands.

This all starts quietly enough, but once they get to his house gears are shifted and everything goes haywire. That's all I'm revealing regarding the story, but I do have to give kudos to Ms. Page who turns in an impressive performance. I did feel she was a bit too precocious and world-wise at times, but she still does a great job showcasing a wide range of emotions of this potential young victim.

Despite the interesting concept of the two-person show, it clearly has its limitations. At 103 minutes this is just way too long. After a while it becomes too obvious that certain scenes and lines of dialogue are, like most songs on recent Rolling Stones albums, inserted for no other reason than to serve as filler. The worst example being a scene involving Sandra Oh's neighbor character. The only purpose it serves is to deliver a little faux drama. That subplot is dropped faster than Britney Spears' baby, never to be heard from again.

Hard Candy refuses to send you prancing home with a smile on your face or a song in your heart, but if nothing else it serves as a strong warning that you should probably pay close attention to who your kids are communicating with online. At least warn them that sometimes the person they least suspect could be the one to be most wary of.

A quick word of warning to all you guys: there is one particular scene where what we perceive is happening will absolutely make you squirm in your seat. You'll most likely watch it through squinted eyes. I haven't felt that uncomfortable at the theater since the My Own Private Idaho fiasco. I suggest you be prepared.

HARD CANDY is one of those films that took enormous courage on the part of the writer (Brian Nelson), director (David Slade), and producers - let alone the actors - to bring a tale of pedophilia to the mainstream audience. Made for a small budget (yet the production values are so very artistic that it feels like an expensive film), HARD CANDY is essentially a duet for two actors: the actors Ellen Page and Patrick Wilson deliver performances that become indelibly burned on the mind of the viewer.

32-year old photographer Jeff has been chatting online with 14-year old Haley for three weeks using standard chat room seduction lines. They meet, talk, seem to get along well - until Haley invites herself to Jeff's home, much against Jeff's better judgment. Once home the beautiful space in which Jeff lives (the set decor is splendid, using sensitive colors in a cinematic way), the walls adorned with photographs of young models, seems a fitting space for a fine photographer. But soon the twist of the story explodes and Haley lets Jeff know that she is there to punish him for his pedophilia and for some specific events in his history. She drugs him, and when he awakens Jeff is the captive, forced to undergo the intensive questioning and innuendos from Haley, including being set up for castration. The tension mounts to a peak as the two characters uncover aspects of each other; the final resolution of the long encounter comes as a stunning surprise.

The quality of the film is so fine that no judgments are made: is Jeff truly a criminal pedophile?, is Haley insane?, can this reversal of roles happen? The script is so beautifully written that it remains intelligent and straight, forcing the viewer to become involved in the quest for truth. Ellen Page delivers a brilliant performance as Haley and Patrick Wilson steps out of his usual milk toast roles to create a man driven by strange needs who gradually comes to a point of self acceptance in one of the more powerful scenes of film this viewer has seen.

The audience for this examination of pedophilia may be small and therein lies the pity. This is a film that deals with a tough subject so very well that the viewer gains an understanding into dysfunctional characteristics while being caught up in a suspenseful thriller of a story. This is independent film making at its best.