I take issue with those who have said this is not an accurate depiction of Appalachian coal country, though I will admit it's probably more representative of parts of West Virginia than Kentucky. I spent 14 years in WV, my wife is from WV and her father grew up in a coal camp.

My wife's grandmother didn't have running water or indoor plumbing until the '70's (heck members of *my* family didn't have indoor plumbing until the late '60's and I grew up in PA!).

I have known many people in WV who sound very much like Holly Hunter in this film, and even dated a woman from the coalfields of southern WV with a similar accent.

The geography also reminds me of WV (though admittedly it wasn't filmed there).

All-in-all an excellent film, and it's hard to believe it represents events as recent as the '70's! We've (until recently) come a long way and we need films like this to remind us how bad things recently were and could soon be again (or worse re: last year's Utah mine disaster).

I am biased about Holly Hunter, having enjoyed all her movies (excluding A Life Less Ordinary) right back to Broadcast News and Harlan County War is a fine addition to her record.

In her first TV movie appearance for 7 years, she is the main focus of the gripping account of a particularly nasty miners' strike in Eastern Kentucky in the early 1970s and her portrayal of Ruby Kincaid has the ring of authenticity, extraordinary focus and real passion I've come to expect.Definite echoes of Roe vs. Wade for me - not just because that too was set in the 1970s but the whole feel of the movies is similar - both have very strong scripts and the acting of everyone involved is spot on. It was also interesting to contrast the approach taken with the UK movie " Brassed Off " which so successfully highlighted the many wounds (few yet healed totally) resulting from the 1984 miners strike in England - also a very bitter dispute.

There are many wonderful moments in Harlan County - the scenes with Ruby and her black lung infected dad - evoking the poignant scenes between daughter and dad in Home For The Holidays - the strong rapport between Ruby and husband, and the gradual awareness of how strongly Ruby feels about not giving in to the mining company. For anyone who, like me, is an admirer of Holly Hunter's work this film is a must and long after watching it, images of the dispute lingered on in my mind. As usual, the other question I kept asking myself : is there a better character actor or actress than Hunter alive today ? Easy answer to that one - no.

Lowest-class working people go on strike for better conditions. Outside agitator helps foment discontent. Working class wife expands personally by taking part in the struggle. To a large extent this sounds like, and is, a 2000 remake of NORMA RAE, which is graced with a fine lead by Holly Hunter, and looks quite good considering it is set in Harlan County, KY, but filmed "on location in Toronto, Canada." Stellan Skarsgard as the labor organizer, and Ted Levine as Hunter's miner husband also deliver good performances, and entire cast is fine though most roles are smallish vs Hunter. Nice musical score.

This film takes off from the documentary HARLAN COUNTY USA and has plot resemblances to NORMA RAE. The slant is unabashedly left of center and the performances and details ring true (except the dogs don't look like mountain dogs to me). Hunter is given a fairly brief, mostly-in-the-dark seminude scene that I found a little gratuitous (possibly the first time those words have ever crossed my lips). I didn't catch the credit, this viewing, for the little guy (he's about as short as Hunter) who plays her father, but he looks exactly right as a used-up coal miner and might have been cast right off the street in my neighborhood.

Picture is set in the 1970s, with Nixon references and talk of wage scales that will sound unbelievable today. Sneak previewed on Showtime the night of 5/29/2000, this is a commendable fictionalization of the story told even more dramatically in HARLAN COUNTY USA, and easily the best premium cable original film I've seen in a long time. Martin Ritt would have made it even better but he wouldn't have been ashamed of this version. And which side are *you* on, buddy?