Greetings And Salutations, and welcome to my review of Human Lanterns; here's the breakdown of my ratings:

Story: 1.75 Direction: 1.50 Pace: 1.50 Acting: 1.75 Enjoyment: 1.75

TOTAL: 8.25 out of 10.00

The surprising element of this movie is the complex and stimulating unfolding drama. And, the bonus is the martial arts sequences, which are superb.

The writers, Kuang Ni and Chung Sun begin the story with a party. Master Tan Fu is showing off his latest conquest, Yen Chu, who was Master Lung Shu Ai's concubine. The Masters have been in a state of rivalry for many years, and this peacocking is merely another one-up-manship by Master Tan to embarrass Master Lung. But Lung has other ideas and proclaims that Tan will again be the loser in the township's lantern festival. Lung rushes to his customary lantern artist, only to find that the old man doesn't craft the beautiful beacons; he purely sells them. Once Lung's heard the seller's secret, he enquires about the artist's identity. From that moment forward, life takes a darker and more deadly path for the two masters, especially for Master Lung. The writers weave a dark, crooked road for our victims to walk down. The devious twists along the way will keep you engrossed. And the police's and victims' logical decisions and consequences towards each deviation create a powerful revenge story. Though you know the villain of the piece right from the beginning, it's a pleasure to watch the intricate plot unravel. I usually prefer whodunnits of this style. However, I profess that I loved the way the narrative's structured. It is a clever piece of writing.

Chung Sun is a man of many talents; he's as skilled behind the camera as he is pushing a pen. Human Lanterns is a beautifully lit and filmed slice of Chinese cinematography. I especially liked how the lights in the lantern makers workshop are not as bright as elsewhere - though the guy has more illumination than Blackpool and Las Vegas combined. There are lots of dark shadows, which emphasise the crafter's evil craftiness. Chung Sun is also an expert when capturing the fight sequences. Most of the time, he keeps the combatants in full frame and only uses close-ups to show off special moves, for example, Master Tan's Fan Steps at the party at the start of the movie. It is always best to see the action in full. But he also realises it's better to show certain details to add to the spectacular fight's credibility. And when the action takes place over different levels and locations, he gets imaginative with his shots.

The cast is excellent, both in their performance and fighting skills. Their talent adds to the strength of the story and your enjoyment of the picture.

If you like your Dark Thrillers with more than a dash of martial arts, or you like your Kung-Fu with a side order of an intriguing storyline, then Human Lanterns is the film for you. I would happily recommend this picture to all movie lovers worldwide - it is more than worthy of your time. I will be checking in on this beacon of illuminating excellent moviemaking again.

Blow out those candles and pop over to check out my Killer Thriller Chillers and The Game Is A Foot lists to see where I ranked Human Lanterns.

Take Care & Stay Well.

After being humiliated at a local ceremony, a lord seeks out an old rival who's a master lantern to put aside their differences to make a new lantern for an upcoming festival, but when several local women go missing all roads lead back to the strange method of making the lanterns he's attempting.

Overall, there's quite a lot to like with this one. One of the greatest aspects present is the breakneck story, which moves along at a great pace and keeping things interesting. Right away, we get the initial setup at the village banquet showing their disdain for each other and the desire to win the lantern contest, forcing him to turn to his arch-rival to win the competition. As well, the tyrannical control he has over the prostitutes in the brothel and the jealousy that governs his decisions plays into the continuing nature of the feud lasting throughout the film with each one looking to one-up and humiliate the other. Once they come to realize they've been set up and that everything has been turning them against each other, the story comes together with a surprisingly strong resolution. As well, when the film really lets loose with its grotesque elements, it becomes quite enjoyable. The first stalking in the brothel as well as the subsequent defleshing of the victim is exceptionally graphic and gruesome. The visual of the skin being sliced open and ripped from the still-alive victim in one piece creates an awfully striking visual, and when done in conjunction with the underground caverns and the various tools shown lying around to be utilized later on completes the grimy illusion. Likewise, the various interludes going back to the location showing how the pieces of stretched skin are being made into the lantern itself offers up the kind of unease associated with such a lair. Seeing the area dressed in entrails, dismembered body parts, drying skin pieces and bloodstained equipment creates a truly grotesque atmosphere alongside the graphic acts themselves. Another big positive is the mixture of horror and kung-fu in the film. Though not filled to the brim with such material as is to be expected, the fighting here comes off quite impressive and exciting. The inclusion of the killer's abilities in martial arts adds quite a lot to the abduction scenes as the sight of him dressed as a monkey complete with a skeletal animal mask take on a far more eerie quality than expected, especially the daytime ambush in the woods where the sight of that running around and flipping off tree-branches is quite creepy. The best, though, are the brawls which they continually find themselves in, and by taking place within eateries, the courtyards of their houses and out in the streets of the village the action carries along quite nicely. Even odd interstitial elements like fighting off assassins or seeing the killer take out a squad of random henchmen to set up their suspicions are rather fun, and the extended brawl at the end includes some really fine stunt-work and swordplay included in the hard-hitting fights. This creates a lot to really like in the film as there are some big problems here. The biggest issue is the central premise of the film in that there's no adequate explanation for the lantern festival to be the big comeuppance in their rivalry. Why he needs to commission a lantern to appear at the festival in order to get the last-laugh at him makes no sense, nor is there anything given as to what's going to happen if the true creator of the lantern is revealed. Being that this is the main driving point of the film as for why he and his rival put their differences aside to make the lantern for the festival, not making this piece make sense is all the more troubling. Likewise, the fact that the investigation should've lead the guards right to him without much difficulty speaks to a haphazard investigation method simply to keep the movie going. These elements do manage to bring the film down.

Rated Unrated/R: Extreme Graphic Violence, Language and Brief Nudity.

Wealthy rivals Master Lung (Tony Liu Yong) and Master Tan (Chen Kuan Tai) are always trying to outdo each other. When Tan makes his adversary lose face, by parading Lung's whore of choice Yen Chu (Linda Chu) in front of his wife (Ni Tien), Lung vows to even the score by beating his opponent at the village's forthcoming lantern festival, enlisting ex-love rival turned craftsman Chao Chun-Fang (Lo Lieh) to design and build a very special lantern.

What Lung doesn't realise is that Chun-Fang is still harbouring a serious grudge against him for winning the affection of Chin (Ni Tien), and has devised a gruesome plan to get revenge: dressing himself up in skull mask, Tina Turner wig, hairy clawed gloves and Ugg boots, he kidnaps the loved ones of both Lung and Tan. While the two men are locked in battle, convinced that each other is responsible for the missing women, Chun-Fang prepares his masterpiece, a set of lanterns using the skin of his helpless victims.

A heady mix of wuxia martial arts and grisly Grand Guignol horror, Shaw Bothers' Human Lanterns is well deserving of its cult status, the film delivering a delightfully macabre premise, a memorably manic villain in cackling loon Chun-Fang, lots of nasty violence (mostly against defenceless, pretty women), plenty of kung fu (with some great weapon work), and impressive visuals, director Chung Sun (The Avenging Eagle) making excellent use of atmospheric lighting and lavish sets (Chun-Fang's lair—an subterranean charnel house—is a marvel to behold).

While some of the wire-work is a little OTT for my taste, the majority of the fighting is of the high standard one would expect of Shaw Brothers, highlights being Lung (armed with a sword) versus Tan (equipped with a halberd), and the final fight at Chun-Fang's hideout, which includes a terrific moment where a whole building collapses beneath the feet of several stuntmen.

7.5 out of 10, rounded up to 8 for having the cojones to kill off the most sympathetic character, Lung's wife.