If It's Tuesday, This Must Be Belgium

1969

Action / Adventure / Comedy / Romance

8
Rotten Tomatoes Critics - Certified Fresh 67% · 6 reviews
Rotten Tomatoes Audience - Spilled 58% · 250 ratings
IMDb Rating 6.3/10 10 2468 2.5K

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Plot summary

A group of travelers from the United States race through seven European countries in 18 days.


Uploaded by: FREEMAN
January 30, 2020 at 10:14 PM

Director

Top cast

Ian McShane as Charlie Cartwright
Suzanne Pleshette as Samantha Perkins
Joan Collins as Girl on Sidewalk
Anita Ekberg as Performer
720p.BLU 1080p.BLU
905.48 MB
1280*694
English 2.0
NR
23.976 fps
1 hr 39 min
Seeds 2
1.64 GB
1920*1040
English 2.0
NR
23.976 fps
1 hr 39 min
Seeds 4

Movie Reviews

Reviewed by shakspryn 7 / 10

Mildly fun; watchable; has some good moments

Suzanne Pleshette stars and looks great here. Lots of good character actors, including Michael Constantine. One thing I notice, like other 1960's movies, this one doesn't mind basing gags on the concept of pretty young women and lecherous older guys who would like to chase them.

Taking the movie as a whole, it's worth watching once: for Suzanne, the European scenery, the sometimes funny scenes, and a few affecting ones. Murray Hamilton stands out as especially good in this movie. I bought this on DVD; to me, it is more of a catch-it-on-cable type movie, in terms of value.

Reviewed by / 10

Reviewed by AlsExGal 7 / 10

Not your usual 60s ensemble comedy

This was a big studio attempt to tap into the counter-culture movement. It attempts to be satiric, ironic, quirky, and off-beat. And it succeeds much of the time. The direction, editing, and sound can be witty, playing with the subject matter, situations, and setting. The comedy doesn't always work, the pace drags in places, and the characters get tedious at times riding their respective hobby-horses. But there's a lot of fun on the way, and a decent love story between antipathies, played by Suzanne Pleshette, and Ian McShane. You'll also see a lot of faces more familiar to you from TV of the era and succeeding decades. In the end, the movie does manage not to be bound by conventions of Hollywood storytelling. To know what I mean, you'll have to watch it all the way through yourself. Just know some of these 60s counter-culture films worked and some didn't. Those that didn't usually had one foot in the production code era and one foot in the cultural revolution that had not yet hit the suburbs yet, with a script seeming to be at war with itself. This is one film that worked and did not have these problems.

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