A good horror film is a bit like obscenity in that it is impossible to describe what makes the horror picture good but you know it when you see it.

Laid To Rest looks and acts extremely well with lots of amusing moments. It has great FX and really nasty kills. It has competent acting, photography, and direction but something doesn't quite work. I think the fault probably lies in the script.

The main things I didn't understand were that the characters always seemed to want to backtrack to places where the killer already terrorized them. The girl wants to go back to the mortuary and the bearded guy wants to go back home to cover a previous victims body! Another is the fact that they have constant access to vehicles (including at one point the killer's!) but nobody suggests they pick a direction and drive!

These things would be of little concern if there was better suspense generated by their encounters with the killer.

I chalk this up as an okay near miss.

A woman wakes up in a "dead box" (what most of us would call a coffin) and has no memory of how she got there or who she is. But she quickly discovers a man with a metal face is seriously interested in killing her, which isn't something she's particularly looking forward to. Will she be able to escape and find the answers she's looking for, or is her running just a delay?

The soundtrack music was provided by Deadbox and Suicidal Tendencies. I'm familiar with the latter, but not the former, and I have to give them a fair amount of credit for this film's mood. The opening scene and music really sucked me in, and I can't say I recall any opening having such a strong effect since the Nine Inch Nails' beginning of "Seven". Well played, maestro.

The director of this piece is Robert Hall, probably best known as a special effects artist. Not surprisingly, this film has pretty much the best gore effects ever. Okay, a slight exaggeration -- but not much. One scene where a man's face gets sliced clean off? Gloriously sadistic! The only film in recent memory I can compare this to is Ryan Nicholson's "Gutterballs", though there is a marked difference -- Nicholson goes for grit, Hall goes for shock and awe.

The killer, ChromeSkull, is both cool and cheesy -- he writes his own name on his car? I find it hard to believe a guy who does that remains uncaught. Especially a guy who films himself killing -- in the open sometimes -- and dresses like Destro. But he's a menacing figure, and far more threatening than Jason or Michael simply for his pure intensity. This is the kind of killer "Hatchet" promised us, but couldn't deliver.

Many of the classic horror clichés are here -- no phone, no gas, the killer tracks victims for miles. I almost wonder if this was done intentionally to be a bit over the top, because if not I think the writer (also Robert Hall) tried to hard to be clear about the peril. This many obstacles in one film takes the "isolation" factor and makes it more of a hilarity factor. I had trouble taking this film completely seriously.

"Laid to Rest" is likely to be overlooked by many, which is a shame. I freely admit I was not overly excited upon seeing the unoriginal skull and crossbones cover. My expectations were somewhat low, and I fear others will walk past this one in the video store, as well. Don't. Unlike other mask covers (this means you, "Bryan Loves You") this one is the real deal. I don't know if it's worth a purchase, but neglecting to rent it would be a mistake for any slasher fan -- a fatal mistake.