After surviving an accidental electrocution, Dan McCormick (Lon Chaney, Jr.) comes to the attention of a couple of scientists doing work with the effects of electricity on the human body. While Dr. Lawrence's intentions are very noble and above reproach, Dr. Rigas (Lionel Atwill) has other, more "sinister" applications in mind for their experiments. His idea is create, through repeated exposure to extreme levels of electricity, an army of supermen to do his bidding. And Dan McCormick represents the ideal test subject.

Man Made Monster might be considered a "lesser" Universal horror film, but it's a good one. I haven't seen it in literally decades and I'm happy to report that it held up rather well. It's not as good as some of Universal's better known films, but it's a solid, entertaining effort. Director George Waggner (who would go on to direct Chaney in The Wolf Man) does a marvelous job of keeping things moving at a nice pace. None of the relatively short 59 minutes is wasted. Chaney, always good at playing the sympathetic figure, does so here as well as ever. Atwill has always been underrated in my eyes and he gives one of his most demented performances as Dr. Rigas in Man Made Monster. The special effects are "cool" for the lack of a better word. The glowing Chaney works. Overall, this is one that deserves a much wider audience, especially among horror fans. Even though it's a limited release, hopefully the new R1 DVD release will put Man Made Monster into the hands of more fans.

Man Made Monster is directed by George Waggner and stars Lionel Atwill, Lon Chaney Jr & Anne Nagel. It's adapted from an original story titled "The Electric Man" which is co-written by H.J. Essex, Sid Schwartz & Len Golos. It is notable for being the first horror venture for Chaney Jr who would make his signature horror movie "The Wolf Man" the same year. Plot sees Chaney as "Big Dan" McCormick, the sole survivor of an electric train wreck. That all the other passengers were killed by electrocution fascinates the sci-fi boffins, particularly diabolic Dr. Paul Rigas (Atwill), who coerces Dan into a series of tests. The outcome of which will spell disaster as Dan absorbs huge levels of electricity and becomes immune to it. Soon Dan will become the unstoppable Electric Man.

Universal's "Man Made Monster" has no pretence what so ever, it is what it is, a short sharp shock shocker that plugs itself into the mains and lights up the screen for the 1 hour running time. Which in the case of the excellent Chaney Jr is actually the case, as he is transformed into a hulking, walking light bulb head that garners sympathy in the way that Universal's other man made monster did. The photography (Elwood Bredell) is moody and atmospheric, Hans J. Salter's musical score delightfully oozes familiar Universal values, while Waggner and his team, when one considers the short running time, do very good work on the characterisations - with Atwill given full license to be bonkers - real bonkers...

It's all very conventional in the grand scheme of Universal horror. Monster elicits sympathy, a foxy lady in the mix (Nagel), mad scientist, dashing hero type (Frank Albertson) and here we even have the intelligent pet. There's some smarts in the writing as the makers observe capital punishment and note man messing with things he probably shouldn't be. But really just don't go too deep with it and enjoy a solid little chiller that's boosted by John Fulton's first rate special effects. 7/10

1941's "Man Made Monster" is noteworthy for a number of reasons, chiefly that this was the Universal feature debut for Lon Chaney Jr. (previously used only in a couple of serials). Having scored an acting triumph just twelve months earlier in "Of Mice and Men," the Chaney name had become a bankable one for a studio hoping to replace the departed Boris Karloff, Bela Lugosi never even considered. Intended to be a Karloff-Lugosi followup to "The Invisible Ray" (John P. Fulton's glowing effects retained from that film), Chaney plays the sympathetic role earmarked for Boris, but tailored more to Lon's strengths, while top billing was accorded to Lionel Atwill, essaying Lugosi's role, in what Forrest J. Ackerman astutely described as 'the maddest doctor of them all.' So frequently shunted aside in supporting parts thereafter, Atwill truly revels in some ace scenery chewing; in one scene, Lon asks about the now missing test rabbit: "oh, he worked yesterday!" It would be difficult to imagine Boris Karloff as an ordinary Joe performing electrical tricks for 'yokel shockers,' so completely does Chaney inhabit this good natured, unsuspecting dupe, Dan McCormick, having survived an accident that left all other passengers dead, now utilized as the perfect guinea pig for the power hungry experiments conducted by Atwill's Dr. Paul Rigas. This would be the last time Atwill enjoyed top billing in any Hollywood picture, and though he did future mad doctors in "The Mad Doctor of Market Street," "The Ghost of Frankenstein," and "Pardon My Sarong," he never again showed such a devious glint in his eyes. Perfectly cast are lovely Anne Nagel, female lead opposite Lugosi in "Black Friday," and dependable Samuel S. Hinds, always believable no matter what the dialogue. Still, after nearly a decade in Hollywood, mostly in bit parts, this must have been a revelation for Lon Chaney, who had done only "One Million B. C." and "North West Mounted Police" since his triumph as Lennie Small; apparently studios were still unsure of his overall talent. Luckily, Universal allowed him to broaden himself as their resident horror star during the prolific WW2 years, the busiest period of his career, and one where he made many lifelong friends. Included in Universal's popular SHOCK! package of classic horror films issued to television in the late 50s, "Man Made Monster" surprisingly appeared only four times on Pittsburgh's Chiller Theater- July 29 1967 (preceded by 1935's "Bride of Frankenstein"), Mar 17 1973 (followed by 1962's "The Horrible Dr. Hichcock"), July 27 1974 (preceded by 1965's "Women of the Prehistoric Planet"), and Jan 21 1978 (following 1955's "Invasion of the Body Snatchers").