Number 17, Cherry Tree Lane?

"Mary Poppins" is one of Disney's best live-action films and one of the most popular either. It's a light-hearted comedy and a delightful movie that is so much fun to watch. The movie looks dated for today's standards, but it is undeniably charming. In fact, its old-fashioned charm is timeless. It's a good movie and a classic, so the fact that it looks dated is not a major problem.

It's easy to understand why "Mary Poppins" is such a beloved classic: its simplicity, its magic, its special/visual effects, its beautiful songs, its good morals, its charm, its characters, its classic humor, its combination of live-action and animation and great actors. The way how this combines live-action and animation is very good. Amazing for its time and keeps working out fine.

The sceneries and landscapes of London city are stunning when Mary Poppins is floating on the air (angles of view never seen before or after this, not even in Peter Pan's movies). The walks through London's streets also allows us to know this beautiful city better, as well as its monuments and respective wonderful architecture. The landscapes through the roofs of London are simply amazing and the dancing numbers are excellent.

«Supercalifragilisticexpialidocious» is the longest and strangest word I've ever heard. Definitely a nonsense but charming word. In fact, I had to practice this word for about a month. Now I can say it easily, but I had serious difficulties to say this word at first.

"Mary Poppins" is an amusing and magical tale, with some valuable morals about family, education and stuff like that as well, combined with light humor.

The characters are interesting in general. Bert is a very cool guy which a cheerful personality, a fine artist, an excellent dancer and speaks with a cockney accent. Dick Van Dyke is awesome as Bert and the way he dances is incredible. He was in excellent shape here. He really dances like Ray Bolger.

The Banks children (Jane and Michael) are absolutely adorable. They're both sweet, innocent and so cute. Michael Banks is the funniest of the two, with his goofy faces in an adorable way and his hilarious way of being «extremely stubborn and suspicious». And they're portrayed by two of the most charismatic and talented child actors of all time: Karen Dotrice and Matthew Garber. It's really sad that Matthew Garber went to Heaven so young (at the age of 21).

Mary Poppins is «the perfect nanny». A magical woman who is also firm and serious but kind and cheerful. Great performance by Julie Andrews, one of her very best. Winifred Banks is a lovable mother, greatly portrayed by Glynis Johns. George Banks is a workaholic, impatient, cold and very serious father most of the time, but at the end of the movie he changes radically his attitudes and becomes a jolly and lovable father. Good performance by David Tomlinson.

Uncle Albert is a character with a minor role but a strong presence. He's very jolly, maybe a little too much, but he's simply hilarious. Ed Wynn is awesome and hilarious as Uncle Albert, a role that resembles somehow the Mad Hatter from "Alice in Wonderland" (1951) - a funny coincidence, because he was the voice of the Mad Hatter. I admit that at first the whole "I Love to Laugh" sequence was a little too much for me, but I quickly got used to it and ended up finding it great fun.

The soundtrack is gold. There are so many lovely songs that it's difficult to chose a favorite. I have many favorites: "The Perfect Nanny", "Let's go fly a kite", "Stay Awake", "The Carousel Horses", "A Spoonful of Sugar", "Feed the Birds (Tuppence a Bag)", "Jolly Holliday", "Supercalifragilisticexpialidocious", "Sister Suffragette", "Chim Chim Cher-ee" and "Penguin Dance". On the other hand, "A Man Has Dreams", "Step in Time" and "The Life I Lead" are nice too, but my favorites are definitely the ones I listed first. The only song I don't like very much is "Fidelity Fiduciary Bank". The only part I like in that song is «You'll see, Michael, you'll be part of railways through Africa, dams across the Nile, fleets of ocean greyhounds, majestic, self-amortizing canals, plantations of ripening sea».

Oh, I love the merry-go-round and the carousel horses of this movie. They're all beautiful. The merry-go-round has a very nostalgic effect for me - it reminds me about childhood. The merry-go-round was so much fun to be in. I also like the animated characters, especially the penguins and the fox.

Inventive and enthused with quality all thru it, Mary Poppins holds up well over forty years since its release. The story is based on the Mary Poppins books written by Pamela Travers, and what a crackerjack story this adaptation turns out to be.

Mother & Father Banks advertise for a nanny to tend their rowdy children. The children, after being less than impressed with previous holders of the post, decide to write their own advertisement. But Father Banks tears it up and puts it on the fire place ready for burning. The torn paper mysteriously floats up the chimney and finds its way to Mary Poppins who glides down from the sky with her umbrella to fill the vacancy. It's evident from this point that Mary is no ordinary nanny, and all she comes into contact with will have their lives changed for ever.

Mary takes the children on a series of delightful journeys that take in meeting an array of interesting people and animals, and it's thru these wonderful escapades that we the audience live vicariously thru. The film has all the hallmarks of a Disney classic, wonderful songs from Richard & Robert Sherman, animation fusing delightfully with live action, colour to dazzle the eyes, and of course a charming and career making performance from Julie Andrews. Much has been made of Dick van Dyke's woeful cockney accent, and in truth it's almost cringe inducing, but his performance is so brim full of gusto and effervescent fun, we should surely let it go in the name of splendid entertainment values.

The restoration job done on the 40th anniversary DVD does the film proud, and it's hopefully opened up the film to be seen more by the modern day audience, because Mary Poppins is an ode to joy, an ode to good behaviour, and basically an ode to being practically perfect--just like Mary herself actually.

Supercalifragilisticexpialidocious 9/10

Years ago a friend excitedly told me 'My Fair Lady' was being restored, and my immediate reaction was to think that the only worthwhile restoration would be one that replaced Audrey Hepburn with Julie Andrews.

But Shaw's loss was P. L. Travers' gain and Andrews was practically the only thing about this glossy, overlong travesty that never leaves the studio that Travers liked. (Although Disney did her the courtesy of giving her a credit as ''Consultant' it's unlikely that she got consulted much, and what she really thought of the end result is evident from the fact that she never authorised a sequel.) Another thing that Travers did like, however, was 'Feed the Birds'; which moved me to add another point to my rating.

The one moment in the entire film that captures the rather remote and mysterious Ms Poppins of the original book - and one of the few understated moments in the entire movie - is the first appearance of Mary seen from behind in long shot sitting on a cloud; but already the noisy music score signals what to expect.

The special effects now look primitive, but CGI will probably look even more dated in sixty years time; and at least the camera isn't constantly swaying about in steadicam the way it is today.

Dick Van Dyke's Cockney accent has been much mocked, but the gusto with which he throws himself into the part amply compensates; and if you can buy dancing animated penguins, singing suffragettes (featuring rather earlier than they did historically since the film is set in 1910), mechanical robins and a talking umbrella, what's a silly accent between friends?

(P. S. Van Dyke as the bank president manages to look even older than he now does at 95; and this must be one of the very few films from the early sixties in which three of the four leads are still with us.)