Another movie long considered 'lost', and now mercifully restored, Anthony Mann's "Men in War" is a war film worthy to take its place beside Terrence Malick's "The Thin Red Line", (you can see its influence on Malick's masterpiece); in other words, this is a near-masterpiece and certainly one of Mann's greatest films. The war in question is the Korean and another American patrol find themselves caught out in the open, like so many before them in so many other war films, as they try to survive and like Robert Aldrich's brilliant "Attack" is as much about the conflict between an officer and a sergeant as it is about the external conflict with the enemy. The principle protagonists are Robert Ryan and Aldo Ray whose contempt for each other is only matched by their contempt for the enemy. Both actors are outstanding and others in the exceptional cast include Robert Keith, Vic Morrow, Nehemiah Persoff, James Edwards and L Q Jones. You might call it an anti-war film since few films about men in conflict have painted such a dark picture of the costs of war and what it can do to men in the field. Indeed, this has even been called an 'art-house' war film which is probably just another way of saying that it's different and very intelligent. It's also stunningly well photographed in black and white by Ernest Haller and boasts another very good score by Elmer Bernstein. How it ever came to be 'lost' in the first place is something of a mystery, (did audiences simply find it too bleak?). Let's just be thankful, then, that it's been 'found' again.

The Director is so at home with this sort of stuff. That is Characters, their faces and their World gone wrong predicaments. This study of Men in the Korean War Conflict is a scathing, gritty, realism counterpointed by a slight Artistic Touch.

It has a fine cast with standouts all around, led by one of the Screen's most intense Actors, Robert Ryan. Fans of War Movies may find this a bit too Psychological with its lack of Action made more intense by a claustrophobic feeling of closed quarters in a wide open landscape.

The Camera lingers and the perspective is odd giving this a phantasmagorical feel. Things seem real but not really. This becomes, at times, unbearably Suspenseful and that's what its all about. Men in War and that's not a comfortable thing. Neither is this Movie and that's the point.

The Korean Conflict, as this Movie illustrates, was an unsettling and confusing inclusion that was a hard fit for America's usual clear and decisive fight for Freedom. It foreshadowed a forever blurring line that would Haunt our Military to this day. From this point on there was no longer a sharp Good vs Evil template that could be embraced by everyone, no matter Ideology or Political leaning.