I saw this on the tv schedule last week and decided I couldn't watch it based on the material but then I changed my mind. PVRed it and just finished it. The movie is way better than I anticipate altho' I was REALLY hoping Toni Collette's character wouldn't die of breast cancer, because a LARGE % of breast cancer patients do survive - and thrive. I went through b/c treatment last year and I could totally relate to parts of it - the double mastectomy and the self conscious feelings afterwards, etc. The subject was handled very well I thought, and the acting was very good from all the actors. But I felt very sad at the end and I so wished she had survived. It also reminded me of Beaches a lot.

It was bittersweet, funny in parts, sad, but never really got maudlin and depressing and manipulative. So well done to all involved!

Lastly, that hospice was UNREAL! Just gorgeous. Like a luxury hotel suite. Having seen my sister die in a hospice in NE England I can tell you her room was nothing like that!

"How could the tumor have gotten so big? It's aggressive, like you. Jesus. Well, is it contained? In my body, yes. You should have gone back sooner. Yeah, thanks. Hadn't figured that out. "

I'm not really a fan of tragicomic films with a terminal illness as a main topic. And yet I'm always impressed after accidentally watching such a movie. That was the case with "Philadelphia", starring the overwhelming Tom Hanks who was diagnosed with AIDS. In "Still Alice" Julianne Moore starred as the with Alzheimer stricken Alice. And not so long ago, I praised "Me and Earl and the Dying Girl". Also "Miss you already" kept me captivated. Especially by the stunning interaction between the two protagonists Jess (Drew Barrymore) and Milly (Toni Collette). Two best friends who shared every milestone in their life with each other. An inseparable duo. They know each other thoroughly. Both their negative and their positive sides. And they succeeded as actresses to give me that feeling that they really knew each other since their childhood. A bond they created over the years whereby they intuitively know how the other feels, what she thinks and how she'll react. That's why there's this liberty to respond humorously to dramatic moments.

For me this was the main theme of this dramatic comedy. Even though tragedy hit Milly in a profound and poignant way, it's that undestroyable friendship that emerges every time. The two inseparable friends with each their own personal problems. Milly suffers from something she would be better off without. Jess and her husband are craving for something else. Milly wants to be cured from cancer. Jess has a desire to have children. Of course it's not so obvious to resolve both problems quickly. I was amazed about the fact that both ladies had a problem telling each other about these major events, although they are so close friends and shared everything with each other. And still do. Weird.

Obviously this film will be regarded as a typical chick flick, with lots of unconstrained sniveling and sobbing. The themes are also women-related : giving birth (by the way, that scene was grossly exaggerated), best girlfriends for life, breast cancer, a disturbed positive self-image with the usual sexual problems after wards. It also could have been the opposite, in my opinion. In such a way that the male portion of the world could relate to it. Two male protagonists and real "buddies for life". One of them has testicular cancer and the other one has spermatozoa of poor quality. Same concept. But with less giggles.

The only remark you could have about this film is that the obvious clichés, associated with these emotional issues, aren't avoided very well as in "Me and Earl and the Dying Girl". The two protagonists were sublime, although for me Barrymore will always be that little girl who played along with "E.T.". Perhaps both husbands Jago (Paddy Considine) and Kit (Dominic Cooper) played a minor role, but nonetheless an important one. Especially Considine was brilliant with that sarcastic, dry humor he used sometimes. I never imagined that seeing how someone vomits in a salad bowl, because of chemotherapy, would be sinister and comical at the same time. "Miss you already" isn't exactly a light-hearted film and definitely isn't suitable as entertainment to kill (sorry) a Sunday afternoon, but it still made an overwhelming impression on me. And although I thought I knew how it would end, it still was different than I expected. Women! Always against the grain ...

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