Mom, Is That You?!

2023 [JAPANESE]

Action / Comedy / Drama

3
IMDb Rating 6.7/10 10 192 192

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Plot summary

Akio Kanzaki’s job as head of human resources is wearing his nerves thinner and thinner. To make matters worse, he’s on the brink of divorce with his wife, and his relationship with his college-student daughter isn’t exactly smooth sailing. One day, he decides to drop in to Tokyo’s old-timey district to visit his mother Fukue. However, things seem a little off. His mother used to be always working with an apron on, but now she’s covered in stylish clothes, looking livelier than ever, and even in love! Akio becomes perplexed, feeling out of place in his own mother’s home, but after encountering kind, warm—and almost nosey—neighbors and a side of his mother he’d never seen before, Akio gradually starts to discover something he had lost sight of.


Uploaded by: FREEMAN
June 09, 2024 at 03:03 PM

Director

Top cast

Mei Nagano as Mai
720p.BLU 1080p.BLU
1020.82 MB
1280*690
Japanese 2.0
NR
23.976 fps
1 hr 50 min
Seeds 1
2.05 GB
1920*1036
Japanese 5.1
NR
23.976 fps
1 hr 50 min
Seeds 4

Movie Reviews

Reviewed by Jeremy_Urquhart 7 / 10

Perhaps overly sweet, but it largely works.

Not crazy about the English title, but Mom, Is That You?! Is quite nice. It's Yoji Yamada's 90th film, and seems likely to be his last, given this guy is the Japanese Clint Eastwood and released this the year he turned 92. It's not one of his greatest films, but it's nice enough.

The film is a sentimental family drama that revolves around a few mildly dysfunctional family members. None are as boisterous or chaotic as Tora from the Tora-san movies, which makes for a nice contrast. It's less comedic than that long-running series, and ends with a level of peace that was heartwarming. I could see the ending seeming overly sentimental or iffy for some, but it kind of got to me. Knowing this will probably be Yamada's last might've had something to do with that, too.

It's conventional and kind of old-fashioned in its views on relationships and roles held by certain family members. Again, I cut it a little more slack than most movies because of how old the filmmaker is, but it's still something that crossed my mind. There are plenty of female characters, but they do always talk about men from their past and present. The actors mostly make it work, though. I feel like the more sub-plotty aspect of the movie, revolving around work culture, actually felt a bit more resonant, even if the stuff about love - both the familial and between two people kind - is unsurprisingly more likely to tug on the heartstrings.

It doesn't have anything particularly new or radical to say, and ends up being about perseverance and sticking by family, because they're ultimately the people who are least likely to give up on you. That simple message is well-delivered, and the film - though a little rickety and uneven at times - is heartfelt. It mostly worked for me, and wouldn't be a bad place for Yoji Yamada's immense body of work to end. The man's worked tirelessly directing one or two movies a year, on average, for about 60 years now... and like, none are bad (there are only five I haven't seen). I think his retirement would be well-earned at this point!

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