We are at an art gallery in a painting exhibition. Appropriately low key. City is Mumbai. Kitu Gidwani is manager of the whole thing and announces artist decided to make an appearance and should say a few words. Artist Arun (Aamir Khan) is visibly reluctant presence facing the crowd or art-lovers whatever says in man-of-few-words fashion that it's a tribute to people from different states and raises a toast to Mumbai, "To my muse, my whore, my beloved…."

Kiran Rao's debut film also a tribute to this bustling city of millions where four characters randomly run into each others' lives and make an impact. Like us meeting people and our story meets their story, vice- versa and streams go on. At the same gallery amongst the attendant an American NRI on sabbatical Shai (easily find of the year, inspired casting) meets Arun. Art talk, smoke, alcohol mix well. Fingers touch, so does the bodies. But the night-after ends badly because of Arun being asshole finding it difficult to say simple words 'not looking for something serious'.

There is a dhobi guy Munna (Pratiek, natural brilliant) who Shai befriends. She from another world treats him well, equal, goes to street photography with him to Nagapada, Machali market etc which is of course local to him. This boy, a wannabe actor (Salmaan being his idol) falls for the girl of course in the course, but never crosses his boundaries. They belong to different worlds (for society different classes) he and she both knows. Their odd, tender love-story or story, unsullied, forms the core of the Dhobi Ghat for me. There is definite chemistry between them. But never spoken of. Captured in gestures. Stolen yearning glances. Half chances. Even obvious finale burst out is still with no words. There is a beautiful night scene shot in rain where Shai and Munna have a drink at her place, later she falls asleep, air is electric, boy is tempted, leans for a kiss, backs out at final moment, leaves.

Meanwhile on other thread Arun looking for inspiration changing homes stumbles into few video tapes, sort of video letters of a recently married and migrated girl previous tenant of the flat Arun is living. Her name is Yasmeen (Kirti) and tapes are addressed to her brother back in her home town describing city from her eyes. He is hooked, possessed by these tapes, like porn her manager taunts. We don't blame him. Scenes in these tapes are almost poetic. We literally see how innocence is crushed in this endless city which swallows, sees everything from great successes, glamour to horrors of the fate, people.

All the principal characters are kind of chasing other. Munna chasing Shai, Shai-Arun, Arun-Yasmeen and Yasmeen her dream in city (which is fifth character in the movie). We go after things most try to attract us, evade us. And it's city like this which can shelter such diverse characters with desires, caution secrets, waiting to be discovered, fulfilled, hurt.

Lensed on slick, clean canvas and dream background scored by Gustavo Santaolalla movie is shot guerrilla-style on location minimalist approach, low on budget, rich in content. In this character driven piece ninety six minutes no interval (finally nice to see some arts winning over commerce) eventually everyone will get some kind of closure or otherwise. Just like in real life. Their stories are scripted like in a diary, aptly titled Mumbai diaries told soulfully by its sensitive director. Lovely.

It's not perfect, but it's definitely worth viewing. One does not find such attempts in Bollywood very often. All the characters are fantastic, and so is Mumbai. :)

The plot could have been more tightly strung up, but what the heck.. for a debutant, it's amazing. It comes to it's best when no dialogues are being delivered, just the rolling camera. The movie has no 'message', no climax, it just flows with lives of the characters. Moral of the story : Life comes in full circles, like clothes at a dhobi ghat. The background score is quite experimental as well.

Do not go expecting the usual Bollywood routine. If that what you want, I'm sure there are plenty of options around.

Since having been shown the classic sports movie Lagaan in 2006,the main thing that I've always heard when friends have been discussing Bollywood movies,is how different the films lead actor (Aamir Khan) is from other "mainstream" Bollywood actors,due to him having taken a very "method" approach for a number of his most well known roles.Recently deciding to cheek his IMDb page to see if he had any upcoming projects,I was shocked to discover that Khan had done a 2010 film with his wife which seemed to have been completely over looked in the UK.After having read a few interesting bits about this oddly over looked movie,I decided the it was the perfect time to take a look at Kiran Rao and Aamir Khan's snapshots of Mumbai.

The plot:

Arriving in Mumbai to follow her passion for photography,banker/turned amateur photograph Shia goes to visit a newly opened art gallery.Impressed by the art works on display,Shia gets a happy surprise,when she bumps into the struggling artist (Arun) who has created the beautiful works.Being taken by each others good looks and charms,Shia and Arun leave the event so that they can spent the rest of the night alone together.Inital acting in a flirty manner,Shia's hopes of a relationship developing with Arun are left in ruins,when Arun "politely" decides to ask Shia if she is OK with their romance being "A one night thing!".Slamming the door behind her,Arun soon has his washing delivered from a man called Munna. (who also gets the chance later, to cross paths with Shia.)Wanting to go deeper into the art world,Arun moves into a much more classy,upmarket flat.Unpacking the handful of belongings that he has taken,Arun discovers a hand made bag hidden in a corner of the flat,filled with a number of home video tapes filmed by the previous resident of the flat.

View on the film:

Showing a strongly individual directing style for her debut film,writer/director Kiran Rao shoots the movie in a half docu- drama/half "indie" lo-fi fuzz style,with the scenes featuring the four interconnected characters mostly focusing on their attempts to slowly move "up a level" and reach their long-distance goals.For the "docu- drama" moments of this interesting movie,Rao shows an impressive attention to detail,as the Mumbai skyline is shown in a gloriously over exposed light,and the great on-location out door scenes taking place around the real activates of the residents in the city.Whilst Rao's dialogue rings with a wonderful frankness,where the discussion on love and sex from Shia (played charmingly by debut actress Monica Dogra) and Arun, (played by a quiet and focused Aamir Khan) impressively stays away from feeling sweet and "loved-up",to instead being much more realistically open and genuine.Although the dialogue allows for a good out line to be created for the characters,Rao seems to be overwhelmed by the size of Mumbai,with all of the characters feeling a bit of a distance from being fully formed,as Rao struggles to do a deep,intimate portrait of the characters,as the huge city casts its shadow over the proceedings.