Being from Coweta County myself, the setting of this story portrayed this quaint southern county in a very convincing way. Johnny Cash embodies the character of a Coweta County sheriff with wonderful aptitude, and holds together the story in a brilliant manner. And with Andy Griffith in the mix, nothing can go wrong. As a required assignment for high school freshman in Coweta County, I enjoyed this movie very much the first time I watched it five years ago, and it is still a very nice watch today.

So, if you're looking for a good cinematic portrayal of southern life, this is a good pick for you.

I agree with the other comments, Griffith and Cash are great. THis made for TV movie is surprisingly edgy. The "N" word, which is common in the book and for that time, was used repeatedly by Griffith, who was a stark contrast to Matlock and Mayberry. My biggest disappointment with this movie is that that is was not filmed in Coweta County, or at least they didn't use our courthouse. Also, they didn't use the Old Jail in Greenville, which still stands today. I'd like to see this movie remade on location, with a Hollywood budget, and at least one major start. The most important Character that would need to be played by a major star would most likely be John Wallace the villain. Over all, for a TV movie it's worth watching.

Some of the other reviewers have remarked surprise at the solid, serious performances of Griffith and Cash. Few people these days are aware that both these fine performers actually first appeared in film in very serious roles, Griffith in "Face in the Crowd" and Cash in "A Gunfight" - both solid dramatic films. Both Griffith and Cash have oddly complex histories as artists and oddly complex personalities as artists - far more so than many of their fans understand.

At any rate, as a TV film, this relies very heavily on the performances of these actors, and they do very well. Cash especially is quietly forceful, as if he were always holding a loaded gun but knows better than ever to pull the trigger. His character knows that to respond to Griffith's John Wallace with a vigilante's fury would be to make much the same mistake as Wallace himself: assuming that human will, and not the law, rules our fates. Since Cash's sheriff sides with and defends the law - and ultimately depends upon it - he represents a truly American heroism, devoted to country as much as God, and to the law for which the country stands. His tearing down of the Wallace empire is thus a major historical change in the lives of the people in the two counties involved - from aristocracy to democratic republic, a change as radical as the Civil War that essentially laid the foundations for it in the South.

One note of caution: Even for a television movie, I found the first third of film a bit disturbing: Wallace's casual viciousness is truly upsetting. He's not a 'villain' because he takes delight in the suffering of others - it's just that others' lives are utterly meaningless to him, except insofar as they contribute to his happiness as tools, or can be readily removed if they become obstacles. Thus his final prayer is not hypocritical - he honestly believes that all God wants of creation is to keep John Wallace happy - a reminder that just believing in God and professing Christ does not one make one a Christian - a reminder crucially important in the current era.

NOTE: After submitting the above I discovered Johnny Cash's real film debut, as a psycho killer in "Five Minutes to Live" - release date 1965, but probably filmed 1959. Very weird performance by Cash. A very young Ron Howard also appears in a brief but important role.