A film that has influenced so much, there's nothing new to be said about it that can be meaningfully added here. Coming so late to it, it's clear how it has cast its shadow over so much I've seen before this. I was deeply struck - in the context of 2019's political situation - how radical it must have been to have had a black character take positive control of the situation, to become the most level-headed and able person in the crisis. Let down by some poor supporting performances; but essential and classic nonetheless.

Finally after all these years watched the cult hit classic of the now late George A. Romero's "1968's" "Night of the living Dead". And for it's time this low budget independent picture was a masterpiece that helped change the landscape and gave upcoming horror films a new path to follow. For 1968 and being in black and white it had plenty of gore, death, and blood. And even a few twists and turns in the plot were found.

Set in Pennsylvania in a small farm town the nearby graveyard starts to come alive and one by the dead have risen! And oddly enough this is a panic and epidemic that is all over the country!

It's a battle of will and determination for survival against the walking undead! Many will not like this film when comparing today's standards of special effects, graphics, and "CGI" yet one can see that this old classic was a gateway to current hits like "The Walking Dead".

Along with "Carnival of Souls", this movie stands out as one of the definitive black-and-white horror movies of a bygone drive-in movie era. This movie scared me horribly when I first saw it back in the sixth grade. I had seen other scary movies before, but I think what makes this film so frightening is that there is a somewhat scientific explanation involved and that the horror is occurring to average people. The terror is not due to some supernatural occurrence that we know to be fantasy such as a vampire or some other relic from a 30's or 40's Universal horror film. Also, the drama is playing out in and around a farm house in rural Ohio, not some mythical haunted mansion. This puts you into the dilemma with the players. The fact that such bad acting is in play here just adds to the realism rather than making the film campy.

This movie showed something that could have only occurred pre-Watergate. At one point, the people trapped in the farmhouse discover a television and turn it on in search of news of what is going on. Something almost as remarkable to today's audiences as the dead rising from their graves is seen to occur. In Washington, reporters confront a government official about the situation, the government official tells the reporters the truth, and everyone believes what the government has told them. All of this would be truly remarkable in today's environment of mutual mistrust between citizens, government, and the media. Also, although we don't have actual vampires as the villain here, we have a similar dilemma. As the radiation causes the dead to become animated and seek to eat the flesh of the living, each time a victim is bitten, that victim eventually dies only to rise minutes later seeking the flesh of the living themselves, producing a problem that grows geometrically, just as vampires do.

Finally, this film has something important to say about race. Unique to 60's films, the group in the farmhouse accepts Ben (Duane Jones), an African-American man, as a leader since he is smart and a quick thinker. This portrayal of an African-American as protagonist and problem solver is also unique to films of forty years ago. The ending is quite powerful, and you have to ask yourself, did race have something to do with the actions of the rescue posse? I don't know if this question was hung out there intentionally by the film's creators for the audience to ponder, but it is a point that is almost impossible to ignore.