Well, first of all I must say that for a movie from 1979, then "Nightwing" is actually not too shabby, and it still holds up for a viewing here in 2021.

I had the chance to sit down in 2021 to watch the 1979 movie "Nightwing" from writers Steve Shagan, Bud Shrake and Martin Cruz Smith. Sure, I had even heard about the movie prior to sitting down to watch it. But I've always enjoyed creature features, so of course I sat down to watch "Nightwing" as I was given the opportunity to do so.

And I must say that with the likes of Nick Mancuso, David Warner and Charles Hallahan on the cast list, I believed that I wouldn't be in for something all that bad. And as it turned out, then "Nightwing" was actually an enjoyable movie.

Needless to say that the actors and actresses in the movie definitely put on good performances, and they had some proper material to work with in terms of storyline and well-rounded characters.

The storyline in the movie was well written and brought to life on the screen in a pleasing manner by director Arthur Hiller. And as I mentioned earlier, the movie still holds its ground now, 42 years after it was released. And that, in itself, is a rather extraordinary accomplishment.

While "Nightwing" is listed as a horror movie, I would say that it was more of a thriller than an actual horror movie. There wasn't anything scary about this movie, at least not in the traditional way of horror movies. But it was an interesting story and one that grabs a hold of the audience and brings you on an enjoyable ride.

Visually then of course "Nightwing" is showing clear signs of being 42 years old. But as the movie wasn't really overly reliant on special effects, then the effects in the movie were passable enough to carry the movie for what the effects needed to do. Of course, by comparing it to today's special effects, then "Nightwing" is a relic.

I have to say that I was more than genuinely entertained by "Nightwing", and it proved to be a very enjoyable movie, like they used to make creature feature movies back in the day.

My rating of the 1979 horror movie "Nightwing" lands on a six out of ten stars. Well worth taking the time to sit down to watch this movie, trust me.

This adaptation of the Martin Cruz Smith novel (scripted by Steve Shagan, Bud Shrake, and Smith himself) is actually pretty faithful to the source material. Ultimately, it's not quite as satisfying as Smiths' story, where the characters were given more depth. But it's still a striking and interesting (if not great) film, an unusual mix of animal horror, human drama, and Indian mysticism. The actors in all of the major roles are pretty good, and director Arthur Hiller - a man known more for mainstream comedies and dramas such as "Love Story" - does his best working within a different genre. It's true that the film doesn't have very much suspense, but the animal attacks are NOT that badly done, despite the presence of some chintzy effects. At the very least, what "Nightwing" has to recommend it is beautiful New Mexico scenery and a solid score by Henry Mancini.

Nick Mancuso stars as Maskai policeman Youngman Duran, faced with sudden and mysterious deaths of animals and humans alike. An Englishman named Phillip Payne (David Warner) knows the score: the culprits are vampire bats, and he's the man to take care of the problem. Apparently eradicating this species is his life's work (one would think that animal rights activists would take exception to such a pursuit), because he believes that they embody evil. Yeah, I know, pretty thin for a motivation. Making life difficult for Duran is local mover and shaker Walker Chee (Stephen Macht), a man who's made it *his* mission to acclimate himself to the white man's world, and who's giving an assist to a mining company.

Overall, this isn't bad, even if lacking in style. It's fundamentally a decent story that's capably told. Mancuso is engaging in the lead, and Warner delivers his lines with total conviction, no matter how silly his character may be; the film benefits from his presence. The lovely Kathryn Harrold is appealing as Youngman's white love interest Anne Dillon, George Clutesi (who was in another Indian themed horror film from the same year, "Prophecy") is memorable in the small part of old priest Abner, and the great Strother Martin, in one of his final film roles, is a joy to watch as always as the bigoted trading post operator Selwyn. Among the supporting cast are character players Ben Piazza, Donald Hotton, Charles Hallahan, Alice Hirson, and Pat Corley.

"Nightwing" is definitely worth a look for the curious.

Seven out of 10.

I rather enjoyed this mediocre horror film. It succeeds at doing what it sets out to do -- ratchet up the suspense and provide the viewer with reckless and unthinking entertainment. And on top of that, there is some wonderful New Mexico location shooting, which can't be dismissed out of hand. You have never seen such vast expanses of rugged buttes, sandstone canyons, and pink dunes, all carefully accessorized by the occasional pale green of a shrub.

"King Kong," which set the rules for this genre, featured a gorilla doll that was about two feet tall and contained an armature, which is a brass skeleton of sorts with flexible joints, around which the flesh and hair are modeled.

Narratives in the genre have a kind of metaphorical armature that follows the structure of "King Kong" the movie. At first, everything is innocent and peaceful. Complications are present, yes, but they haven't erupted. But then there are intimations that something is up. The natives kidnap Fay Wray, but for what purpose? A sea gull thumps against a closed door or strikes a pretty blond out of the blue. Cattle and horses are found dead for some mysterious reason. And what ever happened to those two miners with their mule? Suddenly the cause of the disaster is revealed -- crashing out of the forest or striking en masse from the skies or swimming sneakily into the lagoon, it doesn't matter how. Here, there is utter silence while the investigators wait for an attack -- then a cut to a close up of a vampire bat's hideous face zooming into the camera with a piercing shriek. Well, it may be homocentric to describe a bat's face as ugly. After all, they probably find us unattractive too, and they must find each other appealing enough to mate with. I call it bad taste but a vampire bat wouldn't.

The hero is a lawman (Mancuso) representing the tribal council of the fictitious Maski tribe, although the real power brokers seem to be the dozen or so priests who run the reservation. The succulent Kathryn Harrold is his girl friend, a nurse. She was my supporting player in that bright star in the cinematic sky, the sublime and poetically executed "Raw Deal." David Warner plays roughly the same role he did in "The Omen," the researcher who does the leg work and tells the hero what's up. Stephen Macht is the leader of the equally fictional neighboring Pohana tribe, the dilatory unbeliever who wants to sell out the reservation for money. I always enjoy Stephen Macht. Mancuso, the nominal hero, is handsome in the way a TV star is handsome, but Macht's features have character. He could never be mistaken for anybody else. Plus he has a doctorate in dramatic arts and gave up a tenured position to become an actor, which is a pretty dicey thing to do.

The script has its weaknesses, even given any low expectations we might have regarding the movie. Macht's politician claims at one point that half the time the priests go around stoned on Datura williamsii or Jimson weed. They wouldn't do that. Datura isn't a mellow high. It was used in some Southwestern ordeals and initiation rites. It induces often frightening and chaotic hallucinations. It's unclear why Mancuso seems to run around chewing on it and having long conversations with a ghost. One of those conversations interrupts his attempt to save the lives of himself, Harrold, and Warner, just as the plague-ridden vampire bats are about to attack him. He stops his rescue attempts and begins a foggy theological argument with a ghost while the bats whirl around his head. El momento de la verdad -- and he's telling a phantom where to get off.

The visual effects are adequate, no more than that. Arthur Hiller, the director, might profitably have watched some of Val Lewton's psychological horror movies to learn how to scare the wits out of people while keeping the monster's appearances to a minimum. Still, there is all that majestic scenery, including Kathryn Harrold.