It ain't Kurosawa (or even Hideo Gosha), but "Shogun's Ninja" wasn't aimed at that sort of audience. This film is a wacky, blood-spurting, action-packed feast for the eyes, and on its own terms it works beautifully. While reference is made to real historical figures and events, the emphasis is on over-the-top fighting (mostly with weapons, but there's the occasional empty-hand confrontation, too). The tone of the film is completely unreal: it may look like feudal Japan, but the setting is actually some alternate dimension in which fighters can do everything but fly, where warring ninja clans wage their battles in the treetops of lush enchanted forests, and where it doesn't seem even remotely odd when Hiroyuki Sanada, grieving over the deaths of his comrades, suddenly breaks into a torch-twirling interpretive dance. This kind of unbridled goofiness would become commonplace in action films of the '80s, and in "Shogun's Ninja" you can see the new, extravagant aesthetic taking shape as the decade began.

Sanada is a credible hero, Chiba mostly plays it straight as the villain (just as he had the previous year in Gosha's "Hunter in the Dark"), and Etsuko Shihomi is her usual winsome, martially astute self. Six and a half stars.

... well, if it weren't for Sonny Chiba himself! Good, nobody ever put Chiba amongst the great Shakespearian actors (unlike his protégé and star Hiroyuki Sanada). Let's just say he employed less acting skill than Gregory Peck in 'The Omen' (were ol' Peck at least raised an eyebrow now and again) and Monica Belluci (who may be anything - a fine looking young lady - but not an actor). Fact is, Chiba doesn't act at all! He's simply there in the picture! Not so much as a facial twitch throughout the entire movie! Granted, Japanese heroes are to be cool. See 'The Last Samurai' ... hell, cooler than 'Shack' and Ryan O'Neal put into a bag. But for his role as 'Shogun', Chiba may well have been lobotomized! Second 'Minus' of the film: the horrid dance-sequence of Hiroyuki Sanada, which may well haunt this fine actor to the end of his career. God, if only I had fallen asleep during this sequence and never perceived it at all! But no, there it is, burned right into my memory and causing me to break out into insane giggles during the final battle of 'Last Samurai' ...

Then there is the terrible, terrible pseudo-Jazz score, that would have made many-a Porn flick look earnest --- if only the producers would have take a hint from 'Shoguns Assassin', but no ...

... apart from all that, the film would have actually been worth viewing ...

... WOULD have, I say!

After watching Shogun's Ninja, I must conclude that this is the strangest movie I've ever seen, and I say this after watching numerous Ching Siu Tung movies. This movie is just straight-up weird.

The plot takes place during the reign of Emperor Hideyoshi and there are historical references throughout (Ieyasu, the attempt to invade Korea, etc.) The conflict exists between the last survivors of the Momochi clan led by Henry Sanada (that Japanese guy from Royal Warriors with Michelle Yeoh) and Shogun (Sonny Chiba from the infamous Streetfighter series) and his ninja army. Sanada learns Chinese kung fu and comes back to avenge his clan, does some fighting, learns Japanese ninjitsu, and does some more fighting. The movie ends with a large battle between Chiba and his warriors (which are many) and Sanada and his pals (which are few).

The fighting in this movie is pretty good sometimes, and unexciting other times. Sanada is fairly impressive, he is one of the few characters that actually does any hand-to-combat (everyone else uses swords, guns, or other weapons). His kicks are fairly fun to watch. Sometimes, the swordplay is done bad in the sense that no excitement exists in watching them swing swords clumsily at each other. Unfortunately, Sonny Chiba doesn't do anything too interesting. Neither does Sue Shiomi (she appeared in Sister Street Fighter I believe). There was a female Chinese fighter who could bust out a good boot and the nunchaku, though.

When I say this movie is strange, I don't mean the strange in the Ching Siu Tung-style of bombard the viewer with bizarre, yet beautiful visual image style of being strange. This movie is strange in the sense that its level of camp is off the charts. For one thing, with the exception of some flute playing, most of the music in the movie is of the contemporary jazz/1970's elevator music variety with the occasional Japanese pop tune thrown in. The sounds effects are silly to the point where I wonder if this movie was actually a spoof. There are underground ninja, spider-like ninja (you can see the wires), and a nice little army of ninja at the end (although the third group doesn't do anything). There is a fair amount of wire-work in this, although none of it is really imaginative. Some of the stunts in this movie is just straight-up screwy (watch Sanada block the archers). Well, whether or not one enjoys this depends on his/her tolerance to high-camp.