Its not about plot, not about twist nor about something unbelievable. This is a film that concentrate on characters and their different points of view. Dialogues are very modest in expression. Director uses rather non-verbal communication. Shy look there, insecure touch there or actions that tells us more then words. All that accompanied by great cinematography complemented by sensual music or sounds of bamboo. Audience can enjoy that thanks to slow storytelling and long pauses filled with body language. Back to the story. Jin-ho Hur tells a story about 2 individuals and their evolving relationship. Sang-woo is a young sound technician inexperienced with strong feelings. He meets Eun-so recently divorced radio announcer. Director shows the beginning of their relationship with creating overwhelming atmosphere of excitement and happiness that even spreads on the audience.

**Spoiler Alert**

However just like in life at some moment everything starts to go wrong. Director don't give us clear answer what is going on because just as it happens in those situations you can only insinuate. From this point everyone starts to cheer only for one of the main characters. Those less experienced by love go with Sang-woo. Those that tasted ups and downs of loving stand with Eun-so no matter which sex they're representing. Ending is perfectly directed. As Eun-so and Sang-woo meet up after some time she puts him again at crossroads. As he declined its clear that he finally made peace with it. As she goes away we can clearly see his hesitation. In this moment thanks to film shot without depth of field her going away is like fading of a memory. ** End of Spoilers**

As i mentioned before great cinematography is accompanied by amazing music and that builds great background to the story. However at some point this omnipresent music started to get on my nerves. I just think there is a little bit too much of it. As someone before me noted the easiest way to describe this film is to quote Alfred Lord Tennyson: "Tis better to have loved and lost than never to have loved at all"

Although I didn't like April Snow, I have to admit that I got curious about it's clinical, meditative, and almost Ozu-like approach to start searching out its director's previous films. One Fine Spring Day is Hur Jin-Ho's second feature film. Surprisingly though, the film feels like it's been crafted by a master who's been making films for decades. One Fine Spring Day evokes a certain sense of maturity and control that deflects the low points of its spare plot. Sang-woo (Yu Ji-tae) is a sound engineer who lives with his father and his senile grandmother. He gets a job to record certain sounds of nature with beautiful radio DJ Eun-su (Lee Young-ae). Sang-woo, who seems to be an extrovert and Eun-su, who is more outgoing and openminded, get along very well and start a relationship. Their relationship, however, is not the type that would last forever as both characters are very different and both have issues that need to be resolved. Those seeking something that will provide for a fuzzy joyous romantic feeling would easily get disappointed with One Fine Spring Day. One Fine Spring Day, despite its rather light atmosphere, holds a bittersweet conclusion that feels all too real for comfort. It matches the joys of falling in love with the pangs of an unexplained break up. The beauty of the film doesn't emanate from the plot, or the characterizations, or even the technical merits, but from Hur's surehanded direction that never seems to stray from its melancholic tone. Hur doesn't waste time in dealing with heartwarming moments or scenes of melodramatic intensity. He satisfies himself with sincere moments of silence that somehow evoke great emotional weight. One Fine Spring Day is a lovely film. I loved the fact that it never breaks into serious drama or comedy. It stays right there, comfortable in the middle, chronicling in a very sure manner the failing relationship of the couple. It's very different from April Snow which I thought tried too hard to build up its setup with a more ominous atmosphere that bogs down whatever talent and effort Hur and the rest of his crew put in entirely.