After viewing this film a second time, I picked up on the subtle cues I missed on the first viewing--a subtle swipe at Russian political reformation and romance, the bashing of the New Left, the Emancipation of Serfs through "Dead Souls" and the film-maker who is absorbed/consumed into/by their work--"Divine Horsemen: The Living Gods of Haiti".

As one must with any artisan film, subtle devices is key to understanding the missive and the import. Just as a viewing of Frankenstein's Monster for its gore and horror is skimming the surface, to view this film simply for the porn and gore is simplifying it to a banal level that misses the cerebral context.

LaBruce mocks all sides of the socio-political debate revealing that participants in the capitalist consumption, the advocates of gay rights, and the participants in gay consumerism are equally 'pawns' -- serfs, if not zombies -- held captive by Causes greater than self. Even those who deem themselves part of the media and creative media are caught up in their own "hype" unable to divorce themselves from participating in the events they are called to record, just as Maya Deren was caught up in the voodoo experience while documenting the "Divine Horsemen".

...this might be the only one you come across. Well now, anyway, since I've pointed it out. Very low (or no) budget is about a young man who's definitely most sincerely undead, so naturally he auditions for a movie about an undead young man. Yeah. Only no one thinks he's actually undead, just, you know, weird.

b-grade gay zombie porn semi-mockumentary. repetitive, irritating sound design, jokes milked longer than they should. for some, there's not enough blood and guts. for others, there's not enough porn.

But all LaBruce's films are bad! that is his charm and the charm of no-budget Cult Films! if you expect more, you won't be alone. but if you expect perfection, then you're a fool. like all those people who complained after seeing Tomb Raider or the Super Mario Brothers Movie - what did you expect?

Otto is fun. it's certainly original. it's gay politics are obvious, but accurate. the jokes range from falling flat to funny to shocking. it's polarizing, memorable and thanks to Fritz (Marcel Schlutt), it's damn sexy to watch.

Otto needs to be watched at a film festival amongst the typical gay indie films that are more sincere than their film makers can give credit to. Only then will something like SkinFlick's 'monkey rape' and Hustler White 'Stumping' hit you with the full impact that it should

like SkinGang - can't wait for the full-porno version of Otto