Les Parfums (2019) is a charming French dramedy that follows the intriguing world of Anne Walberg (Emmanuelle Devos), a talented but prickly perfumer, and her unlikely bond with her troubled driver, Guillaume Favre (Grégory Montel). Director Grégory Magne skillfully tells a story full of humor, intelligence, and subtle character growth.

Devos shines as the moody Anne, who has lost her reputation in the perfume business because of her hard-to-please attitude. Montel, as Guillaume, plays the role of a single dad trying to reconnect with his distant daughter. Together, they become an odd couple, helping each other to restore Anne's career and Guillaume's family life.

The cinematography is gorgeous, showing the scenic countryside of France and the intricate craft of perfume making. The film's music also enhances the story's emotional richness and the characters' personal transformation.

Les Parfums (2019) is not only a revealing look into the perfume industry but also a touching tale of two imperfect individuals finding comfort and healing in each other's presence. While the film's pace may seem slow at times, it allows for a deeper appreciation of the characters and their individual journeys.

Overall, Les Parfums (2019) is a well-made movie that will enchant audiences with its witty humor, captivating plot, and the irresistible chemistry between Devos and Montel. It's a sensory experience that will stay with you long after the movie ends.

A few scenes are surprisingly suddenly cut, leaving spectators hungry and a bit angry, wanting to know what could have happened and often could have been very funny. Maybe the director, and script writer himself, suffered from a few minutes of lack of inspiration. Too bad. The movie is saved by the actors, especially Emmanuelle Devos, perfect, very realistic and true-to-life in the role of the « nose ».