Drew Barrymore plays Ivy a Lolita-like teen that gradually moves in with a shy reclusive classmate Sylvie(Sara Gilbert)and the presence of the streetwise Ivy starts a chain reaction of mixed emotions. Sylvie's self destructive mother(Cheryl Ladd)is jealous of her husband's(Tom Skerritt) reaction to Ivy's seductive ways. Soon he is hooked and can't get enough of the perverse teen. Questions arise concerning the death of Sylvie's mother about the time Sylvie realizes what is going on between her father and Ivy.

My favorite scene is the sultry love making in the rain on the car hood. It is hard to tell who is seducing who. The 17 year old Barrymore is hypnotic. I couldn't take my eyes off of her. Kudos to Katt Shea for directing this erotic thriller. Note: Look for a young Leonardo DiCaprio.

Nabokov's Lolita used the affections of a fawning, elderly man (her stepfather) for her own purposes--which never amounted to much more than sex and cash. It only figures that today's Lolita would be dressed to kill, literally. As Drew Barrymore plays her here, she's a sexy homicidal figure with maternal delusions. "Poison Ivy" begins rather endearingly, with high school outcast Sara Gilbert (looking like the modern equivalent of a teen beatnik) befriended by a striking blonde student with lots o' leg and a fake tattoo. This wanton woman-child has no name; Gilbert calls her "Ivy" and Barrymore likes that ("It gives me the opportunity to start over," she says). The tone of the picture shifts however before the midway point, with Ivy infiltrating Gilbert's dysfunctional household and seducing dad Tom Skerritt (doing terrific work). Gilbert's narration--and the surreal jumble which becomes the hectic climax--is rather off-putting, but there's a great deal of worth in Barrymore's solid performance. The film is stylish on a low-budget and is actually steamier than "Nine 1/2 Weeks". Yet, it's really two different pictures struggling within the context of one. A stronger screenplay might've brought the two halves together, although, as the director, Katt Shea Ruben manages to come up with a commendable amount of incidents both amusing and titillating. ** from ****