In the male-dominated world of 1960s American cinema, director Joseph W. Sarno's "Red Roses of Passion" stands out as a cult sexploitation film that offers a female-centric narrative, albeit a controversial and quirky one. Through the character of Carla, the film explores themes of sexual frustration, societal expectations, and the search for freedom within the confines of a conservative era.

The story follows Carla (played by Patricia McNair), a young woman living with her aunt and cousin after the death of her parents. Carla is portrayed as a modern woman, embracing her sexuality and living in the moment. Her aunt, however, embodies the uptight and judgmental social norms of the time, shaming Carla for bringing male companions home. This dynamic sets the stage for Carla's frustration and her subsequent search for an outlet that embraces her desires.

Enter the tarot card reader, a character who introduces Carla to a group of Pan worshippers. This marks a turning point in the film, offering a glimpse into the surreal and dreamlike world that Sarno creates. The film, with its blend of arthouse and grindhouse elements, becomes a trip into a fantastical realm where reality bends and passion reigns.

While the cinematography is praised as visually appealing, the plot falls short of capturing the audience's attention consistently. The film has been described as "nonsensical" and "ludicrous," with a tendency to drag in certain spots. However, it's also acknowledged as an interesting and fun piece of cinema, particularly for fans of Sarno's unique style. The director's signature surrealism and mood-driven storytelling are on full display, creating an experience that is part arthouse, part grindhouse.

"Red Roses of Passion" is a product of its time, reflecting the societal expectations and sexual politics of the 1960s. It offers a glimpse into a world where women were expected to conform to strict norms and explores what happens when a character like Carla dares to break free. Despite its shortcomings, the film remains an intriguing artifact of cinematic history, a testament to the evolution of female representation on screen, and a showcase of Sarno's distinct style.

Where to begin, five nearly nude buxom women, one is tied up and one is dominatrix. One needs to be punished and all our devil worshipers. That's just the first 20 minutes. The grainy style is magnificent, if you wanted a lesson in kink this thing would cover most of them.