Ludicrous MA rating on Netflix. Really? This was a kind and wholesome look at Gene Wilder as a person and his unique career.

The last section of his life with dementia is especially moving. Though this documentary doesn't include all his work, all the obvious high points are explored .

What's remarkable as a side note is the longevity of the now 98 year old Mel Brooks, who crucially helped create Wilder's career. His sense of loss is palpable.

Overall this is as good a documentary as could done.

MA must be a lazy marketing gimmick, since it suggests raw material. This is as sweet a production befitting Wilder's gentle persona.

Before I get into my review, I want to address a complaint that I've seen here from people about this documentary. No, the narration was not AI generated! It comes from his own audiobook that he did before he died. Too bad that the people criticizing this movie couldn't have taken the time to find this out instead of jumping to such incorrect conclusions. But I digress..

Remembering a life of fate and destiny!

For somebody who was an atheist Buddhist, he certainly talked a lot about God. I don't believe he was actually an atheist, maybe more like an agnostic. Agnostic is just don't know for sure about anything, but you can have a belief, you just don't know if it's true. I think that was Gene. I believe he did believe in God. He was just open to being wrong about it.

His life was filled with evidence of God's existence as well, including so many brushes with fate. Too many to be mere coincidence. His life was filled with what I like to call Godwinks. And the beautiful thing is, he was open to the signs. He followed, where God led him. And his life was all the richer for it, full of meaning and higher purpose. He had faith.

He was a good man, and that was made clear throughout this documentary. So many documentaries show that the people we like had demons. But if Gene had any demons, they were channeled through his work only. In life, this documentary shows that he was a kind, gentle, caring, and compassionate soul - who also happened to be very, very funny. In addition to comedy, he was also a great writer, and a great artist - as well as student of life. One word that kept popping up over and over to describe him was "innocent" and it was very innocent that made him such a good student of life. He never thought he knew more than life could teach him. He was always willing to learn, and this made him forever young at heart. It was this quest learning that introduced him to his last wife, that he was married to until death did part. But because I know that somewhere inside him, he knew God, he must be in heaven now, watching over his beloved.

God bless you, Gene Wilder! You made the world a better place just by being the beautiful man that you were.

I find it ironic that sometimes it takes something serious, like a documentary, to showcase the somewhat less than serious abilities of someone gifted at comedy, like actor-writer-director Gene Wilder (1933-2016). But that's just what viewers can expect from director Ron Frank's reverent but often-hilarious tribute to this iconic talent, one whose accomplishments in film, on television and on stage haven't always received the kind of recognition that they deserve. As documentaries go, this offering largely plays it straight in terms of its content and structure, exploring Wilder's roots in Milwaukee and chronicling his rise to fame, told in chronological sequence. But, despite this conventional approach, "Remembering Gene Wilder" offers viewers much. The film features a number of recent interviews with such collaborators as Mel Brooks, Carol Kane and Eric McCormack, as well as friends Alan Alda and Harry Connick Jr., Turner Classic Movies host Ben Mankiewicz, wife Karen Wilder and an array of Hollywood production professionals. It also includes ample clips from Wilder's films, including "Bonnie and Clyde" (1967), "The Producers" (1967), "Willy Wonka and the Chocolate Factory" (1971), "Everything You Always Wanted to Know About Sex (But Were Afraid to Ask)" (1972), "Blazing Saddles" (1974), "Young Frankenstein" (1974) and "See No Evil, Hear No Evil" (1989), along with his guest appearances on television's Will & Grace (2002-2003). And then there's plenty of archive video and still photograph footage of Wilder's family, friends, influences and co-stars, those who helped shape him and that he, in turn, helped shape. Most importantly, though, this offering examines what made Wilder unique as an artist and as a private individual, someone known for his singular vision as a comedic (yet vulnerable) actor and as a compassionate, generous colleague toward those he loved and worked with. There's also a touching segment examining his profound but bittersweet marriage to wife and co-star Gilda Radner (1946-1989), a heartbreaking love story that brought out these personal qualities in abundance and in a very high-profile way. The result is a surprisingly eye-opening look at its subject, revealing sides of Wilder personally and professionally that many outside of his inner circle may not have known. The overall approach of this offering may not be particularly inventive, but the result is well worth a watch nevertheless.